The World, the Flesh and the Devil (1959)
Apr 22, 2020 12:02:36 GMT
RiP, IMDb, london777, and 1 more like this
Post by wmcclain on Apr 22, 2020 12:02:36 GMT
The World, the Flesh and the Devil (1959), directed by Ranald MacDougall.
First review
Trapped in a mine for several days, Harry Belafonte digs himself out to discover the world has ended. He seems to be the last man on Earth. Everyone else has been killed by "atomic poison", radioactive dust with a short half-life. There are no bodies, but maybe that's just a movie convention.
He goes to deserted New York City. In a great scene he rings church bells and we get quick cut reactions from assorted stone lions. Then, in a reverse Crusoe moment, we have a shot of a woman's feet following him.
This is Inger Stevens, another survivor who spies on him for a while as he sets up house, electrifies a city block and starts cracking up. He throws a mannequin from a window and she thinks he's jumped and runs forward, screaming. Boy meets girl: what could go wrong?
The color line between them is strong. She warms up but he's not having it. He still has his pride and being an acceptable mate only because he's the last man on Earth is not very flattering. She has him cut her hair, which is awkward and intimate for both of them.
Third survivor Mel Ferrer, a man with attitude, appears and things get complicated. The men go for their guns.
The deserted city is well done and you can tell the makers of later films like The Omega Man (1971) and I Am Legend have watched this one. Stories about "relationships" tend to become soap opera and there is some of that here, but the plot keeps moving.
Miklós Rózsa score. I've been waiting for decades to see this again and it's a keeper. Yet another B&W scope film -- they're everywhere!
Warner Archive title, available for rent from ClassicFlix.
Second review
Some additional notes and new thumbnails from the Blu-ray.
Available on Blu-ray with a rather good image.
First review
Trapped in a mine for several days, Harry Belafonte digs himself out to discover the world has ended. He seems to be the last man on Earth. Everyone else has been killed by "atomic poison", radioactive dust with a short half-life. There are no bodies, but maybe that's just a movie convention.
He goes to deserted New York City. In a great scene he rings church bells and we get quick cut reactions from assorted stone lions. Then, in a reverse Crusoe moment, we have a shot of a woman's feet following him.
This is Inger Stevens, another survivor who spies on him for a while as he sets up house, electrifies a city block and starts cracking up. He throws a mannequin from a window and she thinks he's jumped and runs forward, screaming. Boy meets girl: what could go wrong?
The color line between them is strong. She warms up but he's not having it. He still has his pride and being an acceptable mate only because he's the last man on Earth is not very flattering. She has him cut her hair, which is awkward and intimate for both of them.
Third survivor Mel Ferrer, a man with attitude, appears and things get complicated. The men go for their guns.
The deserted city is well done and you can tell the makers of later films like The Omega Man (1971) and I Am Legend have watched this one. Stories about "relationships" tend to become soap opera and there is some of that here, but the plot keeps moving.
Miklós Rózsa score. I've been waiting for decades to see this again and it's a keeper. Yet another B&W scope film -- they're everywhere!
Warner Archive title, available for rent from ClassicFlix.
Second review
Some additional notes and new thumbnails from the Blu-ray.
- I've never seen city canyons shown so well as in the deserted NYC of this film.
- When the "last man on earth" rings the cathedral bells we have a clever sequence of stone lions seeming to respond:
- Miklós Rózsa's score has a film noir feel; is that right for the empty city? The alienation seems of a different kind.
- The set-up is good, but when we have more than one character the dialogue tends towards theater-speak and slows the story.
- The race relations plot is awkward, but that's true in reality as well as in film. Harry Belafonte produced the movie and I suppose it came out something like he wanted.
- His other producing work from that year was the fine heist film Odds Against Tomorrow (1959) directed by Robert Wise.
- I hadn't noticed before, but it is not just people who were raptured away by the atomic poison, but all life is dead. Toward the end hope returns with tree blossoms and we see pigeons.
- One the apartments has a little Robby the Robot.
- I know it must be an effect of some sort, but the sight of Mel Ferrer walking along the roof edges of tall buildings gives me vertiginous heebie-jeebies.
- A groaner: it ends with "The Beginning". And that beginning would have been illegal several different ways in 1959 if anyone were left to enforce such laws.
Available on Blu-ray with a rather good image.
