Post by Vits on Jan 31, 2021 12:43:25 GMT
SCORE OF THE YEAR
THE PERSONAL HISTORY OF DAVID COPPERFIELD, music by Christopher Willis
EMMA, music by Isobel Waller-Bridge and David Schweitzer
ENOLA HOLMES, music by Daniel Pemberton
FANNY LYE DELIVER’D, music by Thomas Clay
WONDER WOMAN 1984, music by Hans Zimmer
COMPOSER OF THE YEAR
CHRISTOPHER WILLIS
LORNE BALFE
BEAR McCREARY
DANIEL PEMBERTON
HANS ZIMMER
BREAKTHROUGH COMPOSER OF THE YEAR
THOMAS CLAY
PHILIP KLEIN
NAMI MELUMAD
MARCUS PAUS
ISOBEL WALLER-BRIDGE AND DAVID SCHWEITZER
BEST ORIGINAL SONG
“Húsavík (Hometown)” from EUROVISION SONG CONTEST: THE STORY OF FIRE SAGA, music and lyrics by Savan Kotecha, Rickard Göransson, and Fat Max Gsus
“I’ll Be Singing” from WILD MOUNTAIN THYME, music and lyrics by Amelia Warner and John Patrick Shanley
“Jaja Ding Dong” from EUROVISION SONG CONTEST: THE STORY OF FIRE SAGA, music and lyrics by Gustaf Holter and Christian Persson
“Sakın Bırakma” from SADAN HANIM, music and lyrics by George Kallis and Candan Erçetin
“You’re My Effigy” from EFFIGY: POISON AND THE CITY, music and lyrics by Nic Raine and Jana Raine
BEST ORIGINAL SCORE FOR A DRAMA FILM
FANNY LYE DELIVER’D, music by Thomas Clay
DA 5 BLOODS, music by Terence Blanchard
FUKUSHIMA 50, music by Tarô Iwashiro
THE LAST FULL MEASURE, music by Philip Klein
EL VERANO QUE VIVIMOS, music by Federico Jusid
Special mentions should also go to: EFFIGY: POISON AND THE CITY by Nic Raine, THE LAST VERMEER by Johan Söderqvist, NEWS OF THE WORLD by James Newton Howard, SILVER SKATES by Guy Farley, and VOLEVO NASCONDERMI by Marco Biscarini and Daniele Furlati.
BEST ORIGINAL SCORE FOR A COMEDY FILM
THE PERSONAL HISTORY OF DAVID COPPERFIELD, music by Christopher Willis
ADORING, music by Nicolas Errèra
AN AMERICAN PICKLE, music by Michael Giacchino and Nami Melumad
EMMA, music by Isobel Waller-Bridge and David Schweitzer
WILD MOUNTAIN THYME, music by Amelia Warner
Special mentions should also go to: GODMOTHERED by Rachel Portman, I LIVIATANI: CATTIVE ATTITUDINI by Susan Di Bona and Salvatore Sangiovanni, PERMETTE? ALBERTO SORDI by Paolo Vivaldi, SUPERINTELLIGENCE by Fil Eisler, and VIER ZAUBERHAFTE SCHWESTERN [THE SPRITE SISTERS] by Anne-Kathrin Dern.
BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM
ENOLA HOLMES, music by Daniel Pemberton
BAD BOYS FOR LIFE, music by Lorne Balfe
THE CALL OF THE WILD, music by John Powell
IL DELITTO MATTARELLA, music by Marco Werba
ORÍGENES SECRETOS, music by Federico Jusid
Special mentions should also go to: DE PIRATEN VAN HIERNAAST/THE PIRATES DOWN THE STREET by Matthijs Kieboom, KRUIMELTJE EN DE STRIJD OM DE GOUDMIJN by Joep Sporck, LASSIE – EINE ABENTEUERLICHE REISE by Enis Rotthoff, MULAN by Harry Gregson-Williams, and TENET by Ludwig Göransson.
BEST ORIGINAL SCORE FOR A FANTASY/SCI-FI/HORROR FILM
WONDER WOMAN 1984, music by Hans Zimmer
JIM KNOPF UND DIE WILDE 13, music by Ralf Wengenmayr
MORTAL, music by Marcus Paus
WENDY, music by Dan Romer and Benh Zeitlin
THE WITCHES, music by Alan Silvestri
Special mentions should also go to: THE CLAUS FAMILY by Anne-Kathrin Dern, THE LOST PRINCE by Howard Shore, THE MIDNIGHT SKY by Alexandre Desplat, RON HOPPER’S MISFORTUNE by Iván Palomares, and SONIC THE HEDGEHOG by Tom Holkenborg.
BEST ORIGINAL SCORE FOR AN ANIMATED FILM
ANIMAL CRACKERS, music by Bear McCreary
FEARLESS, music by Anne-Kathrin Dern
SCOOB, music by Tom Holkenborg
THE WILLOUGHBYS, music by Mark Mothersbaugh
WOLFWALKERS, music by Bruno Coulais
Special mentions should also go to: JUL PÅ KUTOPPEN [CHRISTMAS AT CATTLE HILL] by Gaute Storaas, MOSLEY by Alain Mayrand, OOPS! 2: TWO BY TWO OVERBOARD! by Eímear Noone and Craig Stuart Garfinkle, PETS UNITED by David Newman, and UPSIDE-DOWN MAGIC by Tom Howe.
BEST ORIGINAL SCORE FOR A DOCUMENTARY
HARBOR FROM THE HOLOCAUST, music by Chad Cannon
COLGAR LAS ALAS, music by Carlos Martín Jara
ELEPHANT, music by Ramin Djawadi
SADAN HANIM, music by George Kallis
SAN MAO: THE DESERT BRIDE, music by Marc Timón Barceló
Special mentions should also go to: DAVID ATTENBOROUGH: A LIFE ON OUR PLANET by Steven Price, HIGH SCORE by Power Glove, MARCHE AVEC LES LOUPS by Armand Amar, REBUILDING PARADISE by Hans Zimmer and Lorne Balfe, and WORDS FOR AN END OF THE WORLD by Iván Palomares.
THE PERSONAL HISTORY OF DAVID COPPERFIELD, music by Christopher Willis
EMMA, music by Isobel Waller-Bridge and David Schweitzer
ENOLA HOLMES, music by Daniel Pemberton
FANNY LYE DELIVER’D, music by Thomas Clay
WONDER WOMAN 1984, music by Hans Zimmer
COMPOSER OF THE YEAR
CHRISTOPHER WILLIS
LORNE BALFE
BEAR McCREARY
DANIEL PEMBERTON
HANS ZIMMER
BREAKTHROUGH COMPOSER OF THE YEAR
THOMAS CLAY
PHILIP KLEIN
NAMI MELUMAD
MARCUS PAUS
ISOBEL WALLER-BRIDGE AND DAVID SCHWEITZER
BEST ORIGINAL SONG
“Húsavík (Hometown)” from EUROVISION SONG CONTEST: THE STORY OF FIRE SAGA, music and lyrics by Savan Kotecha, Rickard Göransson, and Fat Max Gsus
“I’ll Be Singing” from WILD MOUNTAIN THYME, music and lyrics by Amelia Warner and John Patrick Shanley
“Jaja Ding Dong” from EUROVISION SONG CONTEST: THE STORY OF FIRE SAGA, music and lyrics by Gustaf Holter and Christian Persson
“Sakın Bırakma” from SADAN HANIM, music and lyrics by George Kallis and Candan Erçetin
“You’re My Effigy” from EFFIGY: POISON AND THE CITY, music and lyrics by Nic Raine and Jana Raine
BEST ORIGINAL SCORE FOR A DRAMA FILM
FANNY LYE DELIVER’D, music by Thomas Clay
DA 5 BLOODS, music by Terence Blanchard
FUKUSHIMA 50, music by Tarô Iwashiro
THE LAST FULL MEASURE, music by Philip Klein
EL VERANO QUE VIVIMOS, music by Federico Jusid
Special mentions should also go to: EFFIGY: POISON AND THE CITY by Nic Raine, THE LAST VERMEER by Johan Söderqvist, NEWS OF THE WORLD by James Newton Howard, SILVER SKATES by Guy Farley, and VOLEVO NASCONDERMI by Marco Biscarini and Daniele Furlati.
BEST ORIGINAL SCORE FOR A COMEDY FILM
THE PERSONAL HISTORY OF DAVID COPPERFIELD, music by Christopher Willis
ADORING, music by Nicolas Errèra
AN AMERICAN PICKLE, music by Michael Giacchino and Nami Melumad
EMMA, music by Isobel Waller-Bridge and David Schweitzer
WILD MOUNTAIN THYME, music by Amelia Warner
Special mentions should also go to: GODMOTHERED by Rachel Portman, I LIVIATANI: CATTIVE ATTITUDINI by Susan Di Bona and Salvatore Sangiovanni, PERMETTE? ALBERTO SORDI by Paolo Vivaldi, SUPERINTELLIGENCE by Fil Eisler, and VIER ZAUBERHAFTE SCHWESTERN [THE SPRITE SISTERS] by Anne-Kathrin Dern.
BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM
ENOLA HOLMES, music by Daniel Pemberton
BAD BOYS FOR LIFE, music by Lorne Balfe
THE CALL OF THE WILD, music by John Powell
IL DELITTO MATTARELLA, music by Marco Werba
ORÍGENES SECRETOS, music by Federico Jusid
Special mentions should also go to: DE PIRATEN VAN HIERNAAST/THE PIRATES DOWN THE STREET by Matthijs Kieboom, KRUIMELTJE EN DE STRIJD OM DE GOUDMIJN by Joep Sporck, LASSIE – EINE ABENTEUERLICHE REISE by Enis Rotthoff, MULAN by Harry Gregson-Williams, and TENET by Ludwig Göransson.
BEST ORIGINAL SCORE FOR A FANTASY/SCI-FI/HORROR FILM
WONDER WOMAN 1984, music by Hans Zimmer
JIM KNOPF UND DIE WILDE 13, music by Ralf Wengenmayr
MORTAL, music by Marcus Paus
WENDY, music by Dan Romer and Benh Zeitlin
THE WITCHES, music by Alan Silvestri
Special mentions should also go to: THE CLAUS FAMILY by Anne-Kathrin Dern, THE LOST PRINCE by Howard Shore, THE MIDNIGHT SKY by Alexandre Desplat, RON HOPPER’S MISFORTUNE by Iván Palomares, and SONIC THE HEDGEHOG by Tom Holkenborg.
BEST ORIGINAL SCORE FOR AN ANIMATED FILM
ANIMAL CRACKERS, music by Bear McCreary
FEARLESS, music by Anne-Kathrin Dern
SCOOB, music by Tom Holkenborg
THE WILLOUGHBYS, music by Mark Mothersbaugh
WOLFWALKERS, music by Bruno Coulais
Special mentions should also go to: JUL PÅ KUTOPPEN [CHRISTMAS AT CATTLE HILL] by Gaute Storaas, MOSLEY by Alain Mayrand, OOPS! 2: TWO BY TWO OVERBOARD! by Eímear Noone and Craig Stuart Garfinkle, PETS UNITED by David Newman, and UPSIDE-DOWN MAGIC by Tom Howe.
BEST ORIGINAL SCORE FOR A DOCUMENTARY
HARBOR FROM THE HOLOCAUST, music by Chad Cannon
COLGAR LAS ALAS, music by Carlos Martín Jara
ELEPHANT, music by Ramin Djawadi
SADAN HANIM, music by George Kallis
SAN MAO: THE DESERT BRIDE, music by Marc Timón Barceló
Special mentions should also go to: DAVID ATTENBOROUGH: A LIFE ON OUR PLANET by Steven Price, HIGH SCORE by Power Glove, MARCHE AVEC LES LOUPS by Armand Amar, REBUILDING PARADISE by Hans Zimmer and Lorne Balfe, and WORDS FOR AN END OF THE WORLD by Iván Palomares.