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Post by wmcclain on Mar 31, 2021 17:43:45 GMT
Ben Hur (1925), directed by Fred Niblo. From a time when "cast of thousands" really meant something. The sea battle is beyond belief, totally eclipsing that sequence in the Ben Hur (1959) remake. Some of it is models but much is full-sized mayhem. The pirates lash a Roman prisoner to the ram and plow it into the enemy galley. They also stuff poisonous snakes into glass globes and launch them with catapults. You can imagine the Roman soldiers: "Snakes from the sky. Why did it have to be snakes?" The Star of Bethlehem begins with a big nighttime light show. The star itself has both a circular halo and cross-shaped diffraction spikes. Familiar as that image is now, I recall someone claiming it did not appear in art until after the invention of photography. To my eyes the Virgin Mary is presented with a Pre-Raphaelite look, but that just might be the colors used. She is played by Betty Bronson, age 19, who had been the lead in Peter Pan (1924) the previous year. We get only glimpses of Jesus, obscured by crowds or beams of light. Famously, the chariot race in Ben Hur (1959) was closely copied, almost shot-for-shot, from this version. Title character Ramon Novarro was a superstar of the silent era and early 1930s, but his acting career faded out after sound came in. He lived well on his investments but was murdered horrifically in 1968. Available on DVD and often included as an extra in Ben Hur (1959) Blu-ray box sets. I don't believe the silent film itself has ever been mastered in hidef. The Technicolor scenes were lost for many years until discovered in a Czechoslovakian film archive in the 1980s. Carl Davis provides a new orchestral score.
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Post by mikef6 on Mar 31, 2021 18:00:11 GMT
I love the 1925 Ben-Hur over the much Oscared 1959 version. I think the chariot race has much more visceral excitement than in the later film. Masala was played by another big silent star and matinee idol, Francis X. Bushman. Like Novarro, after sound he was relegated to small roles in movies and, later, on TV. He lived to the age of 83, dying in 1966. In this publicity photo, Bushman looks a little like Alec Baldwin.
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Post by OldAussie on Mar 31, 2021 22:49:15 GMT
Very limited silent film viewing by me (about 25-30) but Ben-Hur would rank only behind City Lights as my favourite. My son and I, big fans of the '59 version, both loved the silent. We upgraded the DVD to the bluray just to get the silent as an extra.
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Post by TheGoodMan19 on Apr 2, 2021 3:43:23 GMT
The epic scenes, the sea battle and the chariot race stand to very well to the 1959. I might take the '25 race over the '59.
Supposedly, every major Hollywood star was an extra in the Chariot race audience. Lionel and John Barrymore, Joan Crawford, Harold Lloyd, Mary Pickford,
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Post by claudius on Apr 3, 2021 22:39:52 GMT
I guess I would consider BEN-HUR: A TALE OF THE CHRIST as my favorite Silent film. I remember watching it on TNT on Christmas Eve 1989 and 1990 (which started a tradition from 1994 to last year), and then seeing it completely in March 1992. It is probably the closest adaptation to the novel, with parts (Iras the Egyptian, the star-crossed meeting between sleeping Judah and his leprous family, Judah making an army) not used in later versions. The galley battle and chariot race are both awesome and can stand well to the 1959 version. I do feel the 1959 version had better characterization from Judah and Messala (here Judah has no regrets about his revenge and Messala is just a one-dimensional brute, both of which are canonical). Roman Novarro does have some good moments though, like the scene where he gratefully climbs aboard the rescuing Galley, until the sight of a soul-dead slave from a porthole shatters his hope with the realization that he might be returning to the hell of the oars. The supporting cast is fine, with Nigel deBrulier's Simonidies, Betty Bronson's Mary, and Claire Macdowell's Ma Hur with the aforementioned star-crossed reunion scene. Karl Struss' cinematography is great, using special effects like the model fall of the Roman Preatorium and the healing of the Lepers via colored filters (Struss would use this effect later in Mamoulian's DR. JEKYLL AND MR HYDE). I like his detail towards the extras:- the Nativity Prologue with the census migration (with Roman brutality rampant), the crippled soldier surrounded by snakes, the underground prison with a close-up of a madwoman, the leper dragging himself to the pond. The Jesus scenes do suffer a bit- looking too much like Mr Hands from THE MR BILL SHOW. Carl Davis' score is majestic- the wandering Jews piece at the beginning, the moving "Hur Family" theme, the "Judah" theme, making its rousing climax in the Chariot Race (He even fits "The Lord is my Shepherd" theme from KING DAVID in the scene where the holy family enter the cave that belonged to David). To be true, the score isn't new, having been made in 1988, with Davis already composing the Race theme for HOLLYWOOD in 1980. The present DVD/Blu-Ray suffers from several edits. A shot of Christ's nailed hand is excised, as well as a Psalms Title card that introduces the final Technicolor ending.
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Post by vegalyra on Apr 4, 2021 0:02:04 GMT
Great film. I honestly still prefer the '59 version mainly because of Heston, but I love this film. It is extremely epic in scope.
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Post by mattgarth on Apr 4, 2021 0:47:23 GMT
And it is the film that put the new M-G-M studio on the map as a major player.
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Post by petrolino on Apr 4, 2021 1:10:49 GMT
Fascinating piece you've written.
"The Technicolor scenes were lost for many years until discovered in a Czechoslovakian film archive in the 1980s."
Interesting. I need to look up Fred Niblo and see what else he directed. Thanks so much.
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