|
|
Post by ck100 on Jul 20, 2022 15:07:30 GMT
|
|
|
|
Post by Archelaus on Jul 20, 2022 15:35:34 GMT
|
|
|
|
Post by Popeye Doyle on Jul 20, 2022 16:11:46 GMT
Definitely steadicam shots like the opening of Halloween (1978).
|
|
|
|
Post by Spike Del Rey on Jul 20, 2022 17:45:02 GMT
Upskirt 
|
|
|
|
Post by Rey Kahuka on Jul 20, 2022 19:31:20 GMT
Without the lens cap.
|
|
|
|
Post by James on Jul 20, 2022 19:34:44 GMT
Steadicam and long shots.
|
|
|
|
Post by Fox in the Snow on Jul 20, 2022 22:05:39 GMT
Static long takes with a small amount of "action" slowly unfolding.
|
|
|
|
Post by phantomparticle on Jul 20, 2022 22:53:45 GMT
A slow dolly forward on a static image to convey a sense of unease.
A good example in Val Lewton's Isle of the Dead is the steady approach to the coffin in the crypt, followed by a woman's scream as she discovers that she had been buried alive.
|
|
|
|
Post by drystyx on Jul 21, 2022 0:54:14 GMT
Do you count "cut away" shots? The cut away shots from the assassination on the mountain to the victim's dog and the heroine are easily the best shots Hitchcock ever did, which is saying a lot.
Next to that, my favorite are "narrative" shots, with the speaker narrating over the action or scenery.
If you're just speaking about the way the camera is set up, I'll go with wide shots.
Now, the zoom is good if used effectively, which means quite sparingly. For example, what is undeniably the great gunfight scene in film History is the finale of RIDE THE HIGH COUNTRY, with the zoom in on Anderson, Drury, and Oates. But the "theater" of the story has to legitimatize the zoom, or else the zoom looks comical.
|
|
lune7000
Junior Member
@lune7000
Posts: 1,091
Likes: 678
|
Post by lune7000 on Jul 21, 2022 3:56:57 GMT
Fractal  One point perspective  bugs eye view   |
|
