|
Post by wmcclain on Jan 14, 2023 14:06:33 GMT
Your comments/ratings/recommendations/film posters are welcome and much appreciated! The title says "classics" but we are always interested to know what classic film lovers have been watching, whatever the material.
|
|
|
Post by Chalice_Of_Evil on Jan 14, 2023 14:10:45 GMT
Resident Evil: The Final Chapter (2016). Fantastic Four (2015). Dumbo (2019).
|
|
spiderwort
Junior Member
@spiderwort
Posts: 2,100
Likes: 9,421
|
Post by spiderwort on Jan 14, 2023 14:42:57 GMT
All first time viewings for me this week; a nice surprise. Odds Against Tomorrow (1959):Racial tension flairs up among an ex-cop, a bigot, and a black entertainer who band together to rob a bank. Superbly directed by Robert Wise from a wonderful script by the black-listed Abraham Polansky (fronted by John O. Killens), with exceptional performances by all the cast — Harry Belafonte, Robert Ryan, Ed Begley, Gloria Grahame, Shelley Winters. Making brief but impressive early career appearances are Wayne Rogers, Cicely Tyson, and Zorha Lampert. A terrific film that fans of the cast, the director and the genre should see. Can’t believe I missed it all these years. Highly recommended. El Dorado (1966):An old gunfighter (John Wayne), a drifter (James Caan), and a deputy sober up a sheriff (Robert Mitchum) to track down killers. Another excellent Howard Hawks western, with one caveat: the ending seemed odd, with a loose end left dangling, not sure why. But it was very well done before that and a lot of fun, too, so I highly recommend it because of that. The Children Act (2018):A judge (Emma Thompson) must determine the fate of a teen in need of a lifesaving transfusion. An interesting, well-done film that’s definitely worth a look for the cast alone as well as the philosophical and moral questions it raises. Of course, it goes without saying that Thompson gives a stellar performance. Dreamer: Inspired by a True Story (2005):A racehorse trainer (Kurt Russell) and his daughter (Dakota Fanning) deliver outstanding performances as a father and daughter who nurse a gravely injured filly back to health and aim for a slot in the Breeders’ Cup Classic. The cast also includes Kris Kristoferson, Elizabeth Shue, and David Morse. Beautifully written and directed by John Gatins, this heartwarming film is definitely worth a look for kids and adults. Highly recommended. The Kennel Murder Case (1933):Detective Philo Vance (William Powell) sifts through clues and comes up with several suspects in the murder of a sportsman. Directed by Michael Curtiz and co-starring Mary Astor and Frank Morgan, it's well done and entertaining, and I’m glad I finally got to see Powell playing Philo Vance. Curtiz’s direction, of course, adds a lot. Worth a view for those who love the cast and those early classic mysteries. H is for Happiness (2019):A totally engaging Australian movie about a young teen who hatches scheme after scheme to make her mother, father, and uncle happy again, always modeling resilience, kindness, and a happy outlook even in the face of some aspects of life that are tragic and life-altering. I was truly surprised by how much it made me laugh but also moved me. Wonderful performances by all the cast, especially the young newcomer, Daisy Axon. Excellent direction by John Sheedy. A really good “kids” movie with enough mature elements to make it interesting for adults, too. Highly recommended. Grand Central Murder (1942):Classic whodunit mystery about a gold-digging variety show actress found dead in her private railroad car at Grand Central Station in New York. Not great, but entertaining and fun, with an excellent cast (especially Van Heflin). Worth a look for those who enjoy the light-hearted whodunit genre. Chesnut: Hero of Central Park (2004):Two adopted sisters try to conceal a puppy in a New York building where dogs are prohibited. Their dog happens to be a Great Dane, who grows and grows, and this, of course, requires a huge willing suspension of disbelief. But it’s worth it in the end, because it’s an enjoyable, well-done kids film with two marvelous performances by the very young actresses, Abigail Breslin and MacKenzie Vega.
|
|
|
Post by politicidal on Jan 14, 2023 15:38:20 GMT
First Viewings:
The Desperado (1954) 4/10
Arrow in the Dust (1954) 5/10
Beast (2022) 6/10
The Boston Strangler (1968) 5/10
Watcher (2022) 7/10
Misbehavior (2020) 4/10
Big Night (1996) 6/10)
Grand Central Murder (1942) 5/10
Ammonite (2020) 6/10
At Close Range (1986) 7/10
Repeat Viewings:
The Dark Avenger (1955) 5/10
Bad Day at Black Rock (1955) 8/10
|
|
|
Post by mikef6 on Jan 14, 2023 15:47:27 GMT
Your comments/ratings/recommendations/film posters are welcome and much appreciated! The title says "classics" but we are always interested to know what classic film lovers have been watching, whatever the material. Roddy McDowell in "Lassie Come Home"?
|
|
|
Post by wmcclain on Jan 14, 2023 16:30:35 GMT
Your comments/ratings/recommendations/film posters are welcome and much appreciated! The title says "classics" but we are always interested to know what classic film lovers have been watching, whatever the material. Roddy McDowell in "Lassie Come Home"? I can give you only 1/2 point for that. You are 50% accurate.
|
|
|
Post by wmcclain on Jan 14, 2023 16:30:48 GMT
|
|
|
Post by mikef6 on Jan 14, 2023 16:33:54 GMT
The Safecracker / Ray Milland (1958). Director and star Ray Milland plays Colley Dawson, London’s most accomplished locksmith in the late 1930s. He can open any safe with ears so sensitive he can hear the tumblers turning. He is quite open about his talent; even the police will call him to help out when their own experts are stumped. He even still lives with his mother. But on weekends he lives a second life as a happy-go-lucky playboy with a different name and his own flat. He is also a master thief. Even so, he slips up and gets a long prison sentence. But when England is deep in the war years, his country comes calling. If he will undertake a dangerous mission into occupied Belgium and open a safe in a Nazi headquarters, he can be a free man. But can he take anything seriously? Not a bad little programmer. Milland directs adequately and is the best actor in the cast. Star Trek: The Motion Picture / Robert Wise (1979). The unstoppable Star Trek juggernaut had not yet really begun. The Original Series ran for only 3 seasons (1968-1969). There was an animated series (dubbed “non-canon” by creator Gene Roddenberry) for two seasons (1973 to 1974). But there was still a dedicated fan base who were excited by the announcement of a theatrical picture. The movie has its virtues but on the whole turned out to be a bit of a disappointment. It is too long and more than a little pretentious and ponderous. Still, it is looked back on as an important development for the franchise, but it was another 3 years before “Star Trek: The Wrath of Khan” (1982) and movie success leading to 11 more theatrical features, including the recent reboot. A mysterious space cloud of energy that eats everything in its wake is headed for Earth. The newly outfitted Enterprise has just three days to work out the kinks in the new design and stop the cloud. The former crew, Kirk, Chekov, Sulu, Uhura, Bones, Scotty, and, at the last minute, Spock take over from the younger crew causing resentment, especially from Commander Decker (Stephen Collins) who was supposed to be the captain of the Enterprise. What the find (at long last) inside the cloud is a satisfying ending but comes a little too late for exhausted movie goers. Trivia: There was to have been a new TV series called “Star Trek 2” or “Phase II.” The original cast (except Nimoy) were contracted, sets were built, and scripts written before Paramount bailed in favor of the Motion Picture because of lack of sponsor interest. The script that became The Motion Picture was a complete overhaul of the projected two hour TV movie titled “In Thy Image,” written to introduce the “Phase 2.” Son of trivia: Like the TOS before it, the Animated Series found new life in syndication allowing generations of kids in the 1980s and 1990s to find out what Star Trek was all about. Ambulance / Michael Bay (2022).“Ambulance” is two hours of men yelling, tires squealing, automatic weapons firing, cars crashing, metal grinding and crunching, and a cut every two to four seconds. If that sounds good to you, go for it. There is plenty here. For me, it started as excitement but after an hour I was exhausted and impatient for a change of pace. I had to watch this over two evenings. Military veteran Will Sharp (Yahya Abdul-Mateen II) is unemployed with a wife and infant. The baby needs an experimental operation but insurance turns him down because the procedure is, well, experimental. Will, an African-American, was taken in as a child by a white crime family in Los Angeles so he goes to his brother, Danny Sharp (Jake Gyllenhaal), who is still in the Life, to ask for a loan. Danny and four others are on their way to commit a major bank robbery but still need a driver. Danny promises Will several hundred thousand dollars and all he has to do is drive. Well, the heist goes south very fast, getting all except Will and Danny killed. They escape by hijacking an ambulance that has arrived at the scene. With the paramedic and a seriously wounded cop in the back, the chase begins which goes on until the end of the film. There are a few consolations for anyone to whom this description sounds appalling. First is the performance of Abdul-Mateen who takes everything very seriously. There is some funny dialog from script writer Chris Fedak and there is Garret Dillahunt as a dog loving police captain. But what kept me going for the duration was my first time seeing Mexican actress Eiza González who plays Cam, the hostage paramedic. Her character is the action movie cliché of the Best Paramedic (or cop or doctor or secret agent) in Los Angeles But The Hardest To Get Along With. Yet her dynamic performance makes this old trope fresh. The opening rescue scene of Cam helping a young child impaled on a fence post after a car crash and closing the movie with her actions at the finish is the wisest choice the film makers made. Very cautiously recommended for Michael Bay action fans, mostly. American Experience “The Lie Detector: A Truly Unbelievable Story” Season 25, Episode 1 (January 3, 2023) Star Trek: TOS “The Gamesters of Triskelion” Season 2, Episode 16 (January 5, 1968) Star Trek: The Next Generation “The Vengeance Factor” Season 3, Episode 9 (November 18, 1989) “The Defector” Season 3, Episode 10 (January 1, 1990) “The Hunted” Season 3, Episode 11 (January 6, 1990) “The High Ground” Season 3, Episode 12 (January 27, 1990) “Yesterday's Enterprise” Season 3, Episode 15 (February 17, 1990) Midsomer Murders “Death Of A Stranger” Season 3, Episode 1 (December 31, 1999) “Harvest Of Souls” Season 18, Episode 6 (February 14, 2013) Misquoting Jesus (video podcast of 50-minute interviews with Bart Ehrmann) “Bart and the Bible: What Made Bart Ehrman Change His View on Biblical Inerrancy?” “Historical Paul: What Scholars Actually Know About Paul's Life, Beliefs, and Personality” Endeavour “Ride” Season 3, Episode 1 (January 3, 2016) Annie Oakley (Vaguely remembered kids’ western from early childhood) “Valley Of The Shadows” Season 1 (of 3), Episode 11 (March 20, 1954)
|
|
|
Post by mikef6 on Jan 14, 2023 16:43:48 GMT
Your comments/ratings/recommendations/film posters are welcome and much appreciated! The title says "classics" but we are always interested to know what classic film lovers have been watching, whatever the material. Roddy McDowell in "Lassie Come Home"? How Green Was My Valley?
|
|
|
Post by wmcclain on Jan 14, 2023 17:07:45 GMT
Roddy McDowell in "Lassie Come Home"? How Green Was My Valley? I'll upgrade your half point to full.
|
|
|
Post by timshelboy on Jan 14, 2023 18:06:20 GMT
|
|
|
Post by lostinlimbo on Jan 14, 2023 18:42:51 GMT
|
|
|
Post by teleadm on Jan 14, 2023 19:30:11 GMT
Here is what Tele has seen lately: Rocketman 2019 directed by Dexter Fletcher and based on the life of Elton John. It follows his life from birth to I'm still standing when drug free. Follows the usual conventions of this kind of movies, so it's not bad. Okey but I did like "Saturday Allright for Fighting!" since I had that on a single once. Grâce à Dieu aka By the Grace of God 2018 directed by François Ozon and based on real events. The matter hadn't been solved at the time this on won a Silver Bear in Berlin, this is about a catholic priest that liked young boys for over 40 years, and the men who came out, and bonded together and sued the Catholic Church in Lyon France. A riveting tale that should be seen by many! Paddington 2014 directed by Paul King and based on a character created by Michael Bond. I had no intentions watching this movie at all, but GF sisters kids wanted to watch it, and they sort of guided me through the movie. That alone was wonderful and introducing me into the world of this bear. Tower Heist 2011 directed by Brett Rattner. Rich speculater (Alan Alda) robs pensions founds for self benefits, those robbed intend to rob him, from a top apartment. Not bad but it also felt tired and too routine, but with a great cast that somehow looks uninterested. Sounder 1972 directed by Martin Ritt and based on a novel by William H. Armstrong (1911-1999). One of those small but rewarding movies that big movie companies once did, and this one got four Oscar nominations, including Best Picture. The story is thin, it's the way it's done that is rewarding for me as a viewer with a master director guiding it. The Tall Men 1955 directed by Raoul Walsh and based on a novel by Heck Allen. Old-Fashioned big scale Western with tons of cattle and big star names of the day. Two brothers (Clark Gable and Cameron Mitchell) intent to rob a rich man (Robert Ryan), but get a better offer, lead a cattle drive from Texas to Montana and they will earn more if they succeed, and they accept the offer. Widescreen is put to good use, for the later 5000 plus cattle scenes, but it takes nearly an hour to get there, first we have to go through boring love affairs. It looks good though. The Drum 1938 directed by Zoltan Korda Big scale story in early Technicolor that sadly hasn't aged well, and too violent to be a matinée movie. It's very pro-British colonialism and feels like an old dusty artifact. Interesting though, Sabu is billed above all other actors, something rare I think. That was my week!
|
|
|
Post by Rufus-T on Jan 15, 2023 6:56:53 GMT
|
|
|
Post by Old Aussie on Jan 15, 2023 11:23:25 GMT
Free and LEGAL movies here www.kanopy.com/en/She Wore A Yellow Ribbon just added. Highly recommended.
|
|