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Post by mikef6 on Jun 12, 2017 14:05:58 GMT
"Rough Night," described on the Movie Database as, "A group of friends are horrified when the male stripper they hired for a wild bachelorette party in Miami winds up dead." Scarlett Johansson stars.
Looks like a gender switch of the 6/10 flop film "Very Bad Things" (1998), directed by Peter Berg. Its summary is "A prostitute is killed during a bachelor party and the attendees turn on each other as the wedding approaches."
Just more lack of creativity in new films? A continuance of a trend starting about the turn of the century? The other thread on this board about the announcement of "Mission: Impossible 6" and "Bad Boys 4" seems to support my thesis that to look for genuinely new and compelling storytelling you have to turn to the ever shrinking Indie market or overseas.
"Rough Night" opens this coming Friday (June 16). Get your tickets NOW! [Sarcasm alert]
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Post by RedDeadFallout on Jun 12, 2017 15:21:27 GMT
Very Bad Things wasn't the first attempt at the story either.
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Post by politicidal on Jun 12, 2017 16:15:22 GMT
There were four movies released this past weekend that were neither remakes or sequels. This Friday, we have alongside Rough Night two other interesting original films in the shape of All Eyez on Me and The Book of Henry. Relax.
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Post by mikef6 on Jun 12, 2017 19:06:05 GMT
Very Bad Things wasn't the first attempt at the story either. How right you are.
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Post by mikef6 on Jun 12, 2017 19:08:46 GMT
There were four movies released this past weekend that were neither remakes or sequels. This Friday, we have alongside Rough Night two other interesting original films in the shape of All Eyez on Me and The Book of Henry. Relax. No need to tell me to relax. I’m quite the Cool Guy. Just to point out that I didn’t say there was nothing out there, just that good movies with good stories have been getting harder and harder to find as the 21st century moves through. The two new films you mention illustrate my point. First, All Eyez on Me is a bio-pic, a genre almost as plentiful as superheroes. Drawing a story form a life is not much different from drawing it from another movie. However unique is each individual, a Hollywood bio-pic is no guarantee of authenticity or of anything new, for that matter. It is amazing how many famous peoples’ lives seem to follow typical movie plot arcs. I seriously doubt that anything exciting or revelatory will come out of this film. I’ll leave myself open, but have serious doubts. Next, The Book of Henry. I have already talked about having to turn to what is left of the independent film scene of the first decade. “Henry” is an example. I actually saw the trailer to this at the movies (see, I do go) last Saturday. The only thing in the trailer that interested me was the presence of Naomi Watts, who always gives a great performance. The film was produced by Double Nickel Entertainment which has business ties to Time Warner. It is being distributed by Focus Features, producer and distributer of independent and British movies but which is a wholly owned subsidiary of Universal which is, in turn, owned by Comcast. The movie I saw on Saturday was “My Cousin Rachel,” produced and distributed by Fox Searchlight, the “independent” production company of Rupert Murdoch's 21st Century Fox. This is what I mean by “the ever shrinking Indie market.” What is now called “independent” are the few films still made or imported by the Bigs that are marketed to a niche audience and given a limited release in large cities. I will probably not be seeing the Tupac bio-pic (I basically abandoned that genre years ago) and will decide on “Henry” at a later date. I will not be seeing M:I 6 or BB 4 under any circumstances whatsoever.
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Post by spooner5020 on Jun 13, 2017 18:08:22 GMT
There were four movies released this past weekend that were neither remakes or sequels. This Friday, we have alongside Rough Night two other interesting original films in the shape of All Eyez on Me and The Book of Henry. Relax. No need to tell me to relax. I’m quite the Cool Guy. Just to point out that I didn’t say there was nothing out there, just that good movies with good stories have been getting harder and harder to find as the 21st century moves through. The two new films you mention illustrate my point. First, All Eyez on Me is a bio-pic, a genre almost as plentiful as superheroes. Drawing a story form a life is not much different from drawing it from another movie. However unique is each individual, a Hollywood bio-pic is no guarantee of authenticity or of anything new, for that matter. It is amazing how many famous peoples’ lives seem to follow typical movie plot arcs. I seriously doubt that anything exciting or revelatory will come out of this film. I’ll leave myself open, but have serious doubts. Next, The Book of Henry. I have already talked about having to turn to what is left of the independent film scene of the first decade. “Henry” is an example. I actually saw the trailer to this at the movies (see, I do go) last Saturday. The only thing in the trailer that interested me was the presence of Naomi Watts, who always gives a great performance. The film was produced by Double Nickel Entertainment which has business ties to Time Warner. It is being distributed by Focus Features, producer and distributer of independent and British movies but which is a wholly owned subsidiary of Universal which is, in turn, owned by Comcast. The movie I saw on Saturday was “My Cousin Rachel,” produced and distributed by Fox Searchlight, the “independent” production company of Rupert Murdoch's 21st Century Fox. This is what I mean by “the ever shrinking Indie market.” What is now called “independent” are the few films still made or imported by the Bigs that are marketed to a niche audience and given a limited release in large cities. I will probably not be seeing the Tupac bio-pic (I basically abandoned that genre years ago) and will decide on “Henry” at a later date. I will not be seeing M:I 6 or BB 4 under any circumstances whatsoever. My Cousin Rachel is a remake as well.
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Post by mikef6 on Jun 13, 2017 18:36:50 GMT
My Cousin Rachel is a remake as well. The new Rachel is an adaptation of a novel that had been previously (65 years ago) adapted for movies but the movie is mostly forgotten today. If the former movie is mentioned at all it is because it was Richard Burton's first movie in Hollywood when he still looked young. The new film does not depend on the older one, but on the original source (an example of a true remake would be Jackson's "King Kong"). A frequent comment on threads about remakes is, "Why not remake movies that weren't so good and improve on them instead of picking iconic titles?" Well, that is what the producers of the new "Rachel" did. Nevertheless, having said all that, I take your point. They did make a movie from a novel that had already been used for a film. Why not a different Du Maurier book that had not been filmed? Why not an original screenplay? All good questions.
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Post by spooner5020 on Jun 13, 2017 19:40:10 GMT
My Cousin Rachel is a remake as well. The new Rachel is an adaptation of a novel that had been previously (65 years ago) adapted for movies but the movie is mostly forgotten today. If the former movie is mentioned at all it is because it was Richard Burton's first movie in Hollywood when he still looked young. The new film does not depend on the older one, but on the original source (an example of a true remake would be Jackson's "King Kong"). A frequent comment on threads about remakes is, "Why not remake movies that weren't so good and improve on them instead of picking iconic titles?" Well, that is what the producers of the new "Rachel" did. Nevertheless, having said all that, I take your point. They did make a movie from a novel that had already been used for a film. Why not a different Du Maurier book that had not been filmed? Why not an original screenplay? All good questions. The reason it's hard to believe it means a new take on the novel or a new adaption is because they tried to say that with the Carrie remake with moretz. It was nothing more than just a straight up remake of the Palma film just more up to date. Heck Carrie didn't even look like the book's Carrie. If anything she was too pretty in the remake. The only reason people picked on her was cause she was weird and different.
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