|
Post by stefancrosscoe on Sept 1, 2017 13:25:52 GMT
"If Miami hasn't got it, they haven't invented it yet."I tried to use the search function, but I could not find any threads or topics of this classic 80s show, and so I thought it was about time to start one up. I guess it needs little introduction, as it is one of the most iconic TV-series of the last 30 years or more, with its heavy use of popular music, fashion trends, colors, famous guest-roles, fast cars, beautiful women, neon lights and of course Jan Hammer and the list goes on and on. Of course now, the show might be more of a fun filled nostalgic time machine for a lot of people (my self included) who was maybe too young to remember the 80s and that are fascinated by it, especially if compared to the more modern, gritty and often very depressive TV-shows we now have today. Not saying every cop show is like that, but then again, I guess Miami Vice must have felt like a nice breath of fresh air when it first arrived on the screen back in 1984. After re-watching most of the show a few years back, I was very surprised (in a good way) of how the show dealth with some a lot heavy and darker things and did not just focus on having a bunch of good looking people dressing up in expensive clothes, going to night clubs and driving fast cars to work and then deliver "hilarious" quotes at each other all day long, while every episode ended up with one big feel-good climax, where everybody gathered around for a series of hugs and high-fives, case is closed, the end! Instead, it would often turn out the complete opposite way, or as the villain Benedict (Charles Dance) from Last Action Hero (1993) would put it: "Here, in this world, the bad guys can win!"And that is one of the reasons why I think the show worked so well to begin with. It was not just about the glamour and fashion or the music and famous guest stars, instead you would never know how things would turn out, as here the bad guys actually had a chance of getting away, while the good guys would often meet a very sad end. Anyway, it is the darkness or tragedy behind this "paradise" on earth, that really interested me, specially with my favorite Miami Vice episode with the very fitting name: Heart of DarknessWhere Ed O'Neill (Al Bundy from Married with Children) delivers some fantastic and powerful acting, and not just another goofy clown as he here portrays a burnt out undercover cop, trying to get enough evidence to be able to lock some of the most ruthless people within the illegal porn industry behind the bars for good, while his co-workers and wife fears that he has gone over to the dark side. A very touching and strong episode where the music and songs used in it are all fantastic and plays an important part on the tone and atmosphere to the plot and it was one of the first episodes of the show I saw back in 2003 or 04 on TV, and I became a fan. Another fantastic one, is the episode of No Exit, where a young Bruce Willis plays a sadistic husband and weapon dealer, that will do whatever he can to get it his way, and if you're not on his side, you are soon to become history. Beside the epic pilot episode, Brother's Keeper, or the fantastic Evan I think that few episodes comes as close in quality, writing, and acting wise as the stunning Where the buses don't run with an all time great guest appearance by the underrated Bruce McGill, here seen as an veteran cop, Henry "Hank" Weldon who everybody thinks is some mental nutcase but somehow everything he says comes true, no matter how crazy it all sounds, and the whole build up along with the climax scene with Dire Straits - Brothers in Arms might just be the abslute peak of Miami Vice, where everything worked like magic.
|
|
Deleted
Deleted Member
@Deleted
Posts: 0
Likes:
|
Post by Deleted on Sept 6, 2017 2:11:37 GMT
Didn't really like the show anymore after the second season, when the style and the tone changed. But the first two seasons are epic, albeit rather cheesy at times.
|
|
|
Post by novastar6 on Sept 6, 2017 4:16:00 GMT
I liked Elvis with his pink blanket. Hate that they got rid of him after a while.
|
|
|
Post by stefancrosscoe on Sept 6, 2017 10:21:06 GMT
Didn't really like the show anymore after the second season, when the style and the tone changed. But the first two seasons are epic, albeit rather cheesy at times. I kind of enjoyed some of the change that was done during season 3, as I think overall that it was a stronger season compared to season 2, which I felt was at times very poor compared to season 1, and where it felt like the show too often semed to "rely" upon the star power of famous guest appearences, and the most obivous one was the horrible mess called Phil the Shill where Phil Collins takes up too much space, and while I really enjoyed his songs/music that was used in the show, I thought it got maybe a bit overboard having him have his "own" episode, and a very silly/goofy one too. Another example is when Frank Zappa (big fan of his music) shows up at the end of what seemed to be a promising episode: Payback, where Frank plays some big drug baron that Crockett and Tubbs wants to bring down, and when we finally end up seeing Zappa against our two heroes, it is done in such a silly and ridiculous way that it looks like it was taken from some random, low-budget b-movie than an episode from one of the biggest budget TV shows of that time, as I think Frank even says out loud "YOU GOT TO BE KIDDIN' ME!" when Crockett and Tubbs suddenly overpowers his entire crew within a few seconds and kidnaps the drug lord and it all seemed so rushed and poorly executed, that they didn't even bother to edit out Frank's hilarious little comment on how stupid the whole scene really was/looked like. Again, the star power from the guests become too big and I prefered it more when the guests on the show was still some years away of becoming prominent names in the movie or music industry, and was not big there and then when they came on Miami Vice. But it was not just that, what really annoyed me was that the show seemed to frequently use comedic/clownish characters that kind of had already by season 1 outwore their welcome, such as Noogie and Izzy and while season 2 opened with a bang where you had classic episodes such as Prodigal Son which was the opening episode of season 2 and worked like a mini-movie similar too season 1 and Brother's Keeper and then two episodes later one would get maybe the finest Miami Vice episode of the whole show, Out Where the Buses Don't Run, however after that ridiculous strong opening, there would be very few ones that came close of matching that solid quality and pace, and if one took out other season 2 highlights such as Bushido, Definitely Miami and Little Miss Dangerous, you would end up with a very long bunch of forgettable moments. But of course, this all just my own opinion of it. Anyway, I am not saying every episode of season was a 10/10, but I thought very few was "forgettable" or stuff that I could just skip over and move on to the better ones, as there was maybe 2-3 ones that was within the 4/10-5/10 rating level, where the rest was somewhere around 6,5/10 and up to 8,5/10, with a few going up to 9/10 and then one I gave a perfect 10/10. Season 3 I thought was a stronger (overall) season that the one before, even though I did not approve much of the cheesy hairstyles/clothes, poor music choices, and how they got rid of the black Ferrari and sometimes it could become a bit too "bleak/depressive" as I think the show began to loose viewers in the second half of season 3 and I guess the producers thought it was "wise" to try and shock the fans by doing some rather sad changes, like getting rid of Larry Zito (John Diehl) and the show never really hit the same heights (for me that is) and while some good episodes showed up here and there, I wished the producers/writers would give Stan Switek more to work with or maybe a new partner , instead the focus was too often on Crockett and his love life, which I thought became a big joke when they brought onboard one love interest after antoher and while Tubbs and the fellow co-workers rarely got to shine anymore, it really ended up as the Crockett one man Show. I have probably said too much already, and who knows I might regret it when I re-watch the show again in the future, but for me the best time for Miam Vice was from season 1 and up til around mid season 3, after that I lost a bit of interest and season 4 and 5 had a very "cheap" look/feel to them, and I guess the producers knew that it was not gonna last for long before it would be taken down.
|
|
|
Post by stefancrosscoe on Sept 6, 2017 10:48:10 GMT
There are just too many memorable bad guys, sleazebags and just unpleasant characters too name within just one post, so I thought of giving some attention to one of my favorite villains of the show, and one that I felt was way more menacing and ruthless that most of the big drug barons or mafioso bosses, as this guy did all their dirty work and came off as a incredible ruthless and calculating figure, who came very close to taking out Sonny Crockett along with his family, and was played by the world famous marksman Jim Zubiena.
Zubiena's character is Ludovici Armstrong aka the Argentinean, Calderone's number one hitman and secret weapon. Someone to bring out when in need of dealing with certain problems, and the introduction of this ice cold killer has to be one of the most "shocking" and brutal scenes from the show, and one that I think was a big inspiration to Michael Mann's movie Collateral (2004) and its main hitman character Vincent (Tom Cruise) who seems to have taken a few shooting lessons by Jim Zubiena and his lethal talent. Here, Zubiena is brutal as hell where he first smiles towards his soon to be blasted to kingdom come victims, then he takes out a young police officer withing seconds afterwards, only to leave the scene with no worries at all. His character had such an presence to him, that this episode/figure was to be re-done but in a much weaker/poorer way in one of the later seasons, but very few other villains in the show would come close of being that evil as the Argentinean.
|
|
|
Post by stefancrosscoe on Sept 6, 2017 11:04:20 GMT
Speaking of Calderone, this little but very well done scene is taken from the pilot/opening episode Brother's Keeper and where Tubbs (Philip Michael Thomas) first approaches his brothers killer, and the use of music and scenery is fantastic and there are so many similar moments like that in the first seasons, where they really knew how to make the best use of music and where the songs that are included do not just end up becoming another random background soundtrack, but instead helps an already strong scene to become even more powerful.
|
|
|
Post by stefancrosscoe on Sept 6, 2017 12:01:43 GMT
Speaking of music, while the show would often (sometimes too often) rely heavily on famous artists and their hit songs, the main man was always Jan Hammer and for me, he really was the sound of Miami Vice, where his fantastic contribution would be hours after hours of new music, every week for almost 4 seasons in a row and he had so much more to offer than just Crockett's Theme or Miami Vice Theme. Evan - Easily one of Hammer's most powerful and strongest pieces, as it comes with a spectacular build-up which leads to a great climax and is from one of the best episodes from the show. Gina - A calm, haunting instrumental by Jan, and I have noticed that most of my favorite pieces by him are often those with a women's name, and this one I do not remember which episode it was taken from, but I do remember that it featured Gina and Crockett on his boat at night, with the beautiful neon lights from the skyscraper in the background, and of course this stunning little melody played over. Brenda - A beautiful cover by the talented Dadrian Wilson and this piece by Jan Hammer would end up become the theme to Theresa (Helena Bonham Carter) later on in season 3, I think but I actually prefer this "unfinished" version from season one and the episode Nobody Lives Forever. Marina - I think this one was actually from the season one episode, The Great McCarthy or the one with the big boat race, and the original one in that episode was not finished, but I kind of prefered that one over this re-worked version, however it is very good that also. One Way Out - An often used theme in the show, and I think it was first introduced in the episode called Lombard with Dennis Farina as an powerful but agening mobster who is soon to be put on the hit list of his former co-workers and this number is so well fitted in with the plot as it starts out a bit "depressing" and mysterious/tragic but then turns into a heavy synth-guitar solo full of hope. I could probably continue on forever, as there are so many fantastic Jan Hammer themes and pieces all throughout the show, and some I have only now been introduced to, as they have never been released before, so who knows who many more gems this man has come up with.
|
|
Deleted
Deleted Member
@Deleted
Posts: 0
Likes:
|
Post by Deleted on Sept 6, 2017 18:03:09 GMT
I don't disagree with your criticisms of season 2 (that Phil Collins episode was certainly not one of my favourites). And I don't necessarily mind a little more drama, but the show was just too depressing for me in the third season and the darker style they went for didn't help that. It just wasn't what I liked about the show. I get that the actor wanted to leave, but Zito's death was too much of a downer for me. And you're right, season 3 was the time for some character development for Switek. I also got tired of Crockett's love life.
|
|
|
Post by stefancrosscoe on Sept 7, 2017 14:55:01 GMT
I don't disagree with your criticisms of season 2 (that Phil Collins episode was certainly not one of my favourites). And I don't necessarily mind a little more drama, but the show was just too depressing for me in the third season and the darker style they went for didn't help that. It just wasn't what I liked about the show. I get that the actor wanted to leave, but Zito's death was too much of a downer for me. And you're right, season 3 was the time for some character development for Switek. I also got tired of Crockett's love life. I can understand why John Diehl wanted out (very underrated actor, loved that he got to play a big part in the Shield, later on) as it must have been frustrating for him and Michael Talbott (Stanley Switek) who had "outdone" the comedic relief for far too long while Lieutenant Castillo, Gina and Trudy often would have their own episodes, and ones that was just as good or sometimes even better than the weekly Crockett and Tubbs adventures, but Zito and Switek only had one episode (Made For Each Other season one) and that one got to a point that all the goofy/silly figures in the show suddenly decided to stop on by, Noogie, Izzy and hell, even the bad guys was a bunch of clowns who looked more like a bad parody than some ruthless mobsters, and it annoyed me how the show kept on just using Larry and Stan as the funny sidekicks, and never really give them more to work on. When I look back at the 2 hour episode Down for the Count Part 1 and 2, I think of it as not just the death of Zito but where the show lost some of its "mojo/magic" and the white Ferrari was (for me) not the very moment where the show jumped the shark, but when Stan ends up finding his beloved friend and partner dead in the shower at the end of Part one of the episode mentioned above.
|
|
Deleted
Deleted Member
@Deleted
Posts: 0
Likes:
|
Post by Deleted on Sept 7, 2017 17:15:18 GMT
When I look back at the 2 hour episode Down for the Count Part 1 and 2, I think of it as not just the death of Zito but where the show lost some of its "mojo/magic" and the white Ferrari was (for me) not the very moment where the show jumped the shark, but when Stan ends up finding his beloved friend and partner dead in the shower at the end of Part one of the episode mentioned above. I very much agree with you there. A real shame, I have to say. And yes, I totally would've loved more episodes focussing on Zito and Switek.
|
|
|
Post by stefancrosscoe on Sept 8, 2017 13:23:19 GMT
Just found an old clip from I guess the making of season 2 of Miami Vice, where we can see John Diehl and Michael Talbott discuss how it is to work on the set and with their much bigger co-workers, but the most interesting thing I thought was that already back then you can hear that the two guys really hoped they would evolve into having a bit more to work with, be a bit more "seriousness" to their characters, and not end always being stuck as the regular office "clowns" for the rest of the shows run. Another thing, is the boxing part, and I liked that the producers/writers of the show respected Diehl and finally got Zito and Switek a much more serious themed episode, and that it was about Diehl's favorite hobby, which was boxing.
|
|
Deleted
Deleted Member
@Deleted
Posts: 0
Likes:
|
Post by Deleted on Sept 9, 2017 2:35:40 GMT
Just found an old clip from I guess the making of season 2 of Miami Vice, where we can see John Diehl and Michael Talbott discuss how it is to work on the set and with their much bigger co-workers, but the most interesting thing I thought was that already back then you can hear that the two guys really hoped they would evolve into having a bit more to work with, be a bit more "seriousness" to their characters, and not end always being stuck as the regular office "clowns" for the rest of the shows run. Another thing, is the boxing part, and I liked that the producers/writers of the show respected Diehl and finally got Zito and Switek a much more serious themed episode, and that it was about Diehl's favorite hobby, which was boxing. Thanks for posting that great clip. Who can blame them, I can totally understand where they're coming from. These days they would probably have been break out characters. Unfortunately they were rather neglected. I believe it would only have made the show better if supporting characters like theirs had been given a little more depth and development. They seem like nice guys, by the way.
|
|
|
Post by stefancrosscoe on Sept 11, 2017 10:53:32 GMT
Thanks for posting that great clip.No problem. I only saw that clip recently, and it is a shame that none of the DVD-Blu-ray releases seem to have a solid portion of behind the camera, documentaries, commentaries and much more, as there must have been lots of videoes/interviews made during that time when the show was big, and the only thing that was included on my complete DVD collection was a 6-7 minutes mini-documentary, and some very short clips about the music and fashion of the show, so I am very glad that there are people out there who uploads these great and often informative clips from the show on Youtube. These days they would probably have been break out characters. Unfortunately they were rather neglected. I believe it would only have made the show better if supporting characters like theirs had been given a little more depth and developmentI agree. Nowdays you would often have 5-6 main characters along with the "regulars", and I guess in Miami Vice they just did not have enough time to come up with more solid and dramatic storylines for Zito and Switek, because not only had the writers the rising star power of Don Johnson and Phillip Michael Thomas to deal with, but also lieutenant Castillo who became such a popular figure with both the audience and critics and then you had the beautiful and charming Gina and Trudy who also got a few episodes of their own, and on top of that, the guest stars, and sadly it meant that Zito and Switek was left with very little to work on. They seem like nice guys, by the way.Agree, very down to earth or at least from what I have seen/heard during their interviews about the show.
|
|
|
Post by nutsberryfarm 🏜 on Oct 8, 2017 16:55:33 GMT
some epic manly beach brooding goes in in this one.
|
|
|
Post by stefancrosscoe on Aug 27, 2023 12:13:15 GMT
Have completely forgotten that I did a thread for this iconic 80s show, and kind of regret not writing down each episode/review in here, but instead did so on another forum (Norwegian one), but when I finally have seen all 111 episodes all over, I might try to copy/re-upload them in here over time.
|
|
|
Post by stefancrosscoe on Aug 27, 2023 12:41:42 GMT
After successfully re-watching Scarface (1983) back in the mid of july, I felt the urge of continuing on with more of the 80s neon and pastel dominated Miami City adventures of cocaine deals gone wrong, drug wars, fast cars and even faster women, so what better than to just keep going with Miami Vice: Miami Vice: Brother’s Keeper (1984) by Thomas Carter "'ll be damned if I'm gonna put my life on the line with some outlaw cop on a personal vendetta! Cause when it gets personal, it gets messy, and when it gets messy, the wrong people get killed." During a failed attempt on bringing down a notorius drug lord, a vengeful New York detective decides to take a little time out for some sun and relaxation down in Miami. However, the criminal he's been chasing, is also high up on the chain of command, among well known faces within the local police. And it does not take too long, until the NYPD and Vice police collides, when Teddy Prentiss (Philip Michael Thomas) meets up with Sonny Burnett (Don Johnson), and the two rival cops must seek out some kind of temporarely trust in each other, before their prey gets out of sight once again. Brother’s Keeper is a terrific pilot and opener to this legendary show, and in which some DVDs seems to have it down as a 2 hour (or 90 minutes more) tv-film, where as others has it as two episodes. I do prefer the one which treats it like a full blown movie, and no wonder this show must have felt like something completely else, with its heavy use of atmosphere, visuals, camera angels, solid stunts and combining elegance, grit and adventure into an explosive ride, full of twists and turns, where you feel nobody is quite ever "safe", not even the main characters. Another important ingredient to why this show succeeded, is the instant chemistry between the main leads, in Philip Michael Thomas and Don Johson, and it all is taken straight out of some classic 80s buddy cop movie, but instead into a 22 season show. As mentioned, they went heavily with both the visual and also specially within the choice of modern music, with big names like Cyndi Lauper, Rockwell, The Rolling Stones and Lionel Richie, well if one can include the cover version of All Night Long, which I think was done really impressive. Perfect use within a lively enviroment, full of suspense and danger, and love the way the camera focuses in on the details and yeah, one of the many awesome build ups with emotional tension just about to erupt into chaos and violence. Anyway, the one big and uforgettable musical moment, which changed the game was saving Phil Collins and the haunting In the Air Tonight as the climatic finish, where the two detective, well known that they might not survive the upcoming encounter with a dangerous criminal, rides into the night to the classic 80s hit, and the whole build up is still a thrill to behold. Another important factor to the whole Vice style, is the impressive work of Jan Hammer, who sets up the tone with the classic main theme, and while it has not yet become the final version that would appear for the rest of the shows run, it is without a doubt classic 80s pulsating tv-theme all the way. However, my favorite Hammer instrumental in this opener, is the romantic and warm theme that is Gina. Such a soothing and lovely little piece of music, kind of sad it was not brought up way more. At least I am glad it is available in a full version. If there is anything to pick on, I guess some of the action sequences do seem a little too "cheesy" at times, but I mean, it was a product of another era and since it was a TV show, I guess there were some rules as to how far you could go, and Miami Vice did go pretty damn far at times, specially later on. All in all, I loved watching this absolute impressive first episode/pilot, and I am very much looking forward to more entertaining late summer nights, with dope deals gone wrong, boat chases, angry alligators and I end up with a well deserved: 9/10
|
|
|
Post by stefancrosscoe on Aug 27, 2023 13:14:05 GMT
Season 1 - Episode 02: Heart of Darkness (1984)
"He's taken a lot of assignments over the past couple of years. Maybe one too many." In an attempt of getting closer in on the world of adult video business, Sonny and Ricardo sets up a meeting with a man that can guide them towards Miami's big porn king Sam Kovics. The problem however, is that their middle man (Ed O'Neill), is himself an undercover agent, whom the FBI thinks might have went a bit too deep into his role as a bad guy.Heart of Darkness sure lives up to its name, and might just be among the very best from season 1, and one hell of a follow up to the pilot. As it goes into the sleazy and seedy part of the city's "glamorous" side. And it is here Artie Rollins (O'Neill) appears as a man who has seen too much, and there is a doubt growing, that he might have switched sides. As for Crockett and Tubbs, their meeting with Artie is soon one that gets a bit too personal, since they both sympathizes in how Artie works on his own, also the whole undercover process, but of course, they are also unsure themselves, if they can really trust him or not. The episode as mentioned, delivers a nice balance between the glamour and exotic, but also the not so bright side of things, which includes one of many bleak endings, and showcasing that the good guys, do not always win. Again, the music is a big part to the rhythm and style, which is introduced early on with the uplifting and catchy She's a Beauty by The Tubes, where John Parr and his Missing You arrives not too far off. Then you have Devo and Going Under, which is another great way of pairing fitting music with details and building up to another dangerous evening out on the town for the Vice detectives. Always a bit of a "shock", seeing Al Bundy play such a serious and dramatic role, but this was probably shot 2-3 years or more, before the big break arrived with Married With Children. Ed delivers one hell of a performance in this, among my favorites of season 1: Considering all the drama and tension, there is also some comic relief with Sonny's pet alligator Elvis, the former football mascot for Crockett's old team, whom now is the offcial guard dog on his boat St. Vitus. Once again, Jan Hammer delivers some atmospheric and nice instrumental themes, some which would later be built up on, and turn into Rain from Milk Run, but arrives here as an unfinished cut, but has that sad and longing sound, which I loved about these Hammer melodies. All in all, another great episode, fantastic music and memorable guest appearances. 9/10
|
|
|
Post by stefancrosscoe on Aug 27, 2023 13:46:26 GMT
Season 1 - Episode 03: Cool Runnin' (1984)
Lou Rodriguez: "This was supposed to be a lightweight deal." Sonny: "Yeah, that's what we thought till the fireworks started." When a trigger happy trio with Jamaican drug smugglers fills the streets with bullets and corpses, the police realizes they have to change their way of trying to apprehend the violent criminals. Which is easier said than done, since within the ranks there are a couple of young and too cocky detective trying to rise the ranks with busting bad guys. Instead it turns to tragedy, when one of them becomes the latest victim to the murdering gang. Another good episode, maybe not up there with the first two, but it is a nasty reminder of what the police in real life stood up against, when the first wave of violence from drug wars appeared in Miami back in 1979, specially through the infamous Dadeland Mall massacre. There the police did not know what they were up against, but the killers certaintly came well prepared, with heavy weapons and an escape van being rebuilt into more like a war machine, equipped with bulletproof windows and steel armoured doors, and enough lethal stuff to take out a small army with. This along with the rise of lawless violence in which the killers did not just go after their targets, but would also mow down innocent people with machine guns, that was unheard of, until well, Miami went from paradise to becoming one of the most deadliest places on earth. The episode opens with having Sonny and Ricardo thinking they are just up against another gang of small time crooks, but all of a sudden they stare right into machine guns, which do not stop to fire, until they are completely empty. Beside the explosive and rather brutal part, the rest of the episode focus more on the Reggae culture along with a soon to be familiar as a comic relief, the Miami Vice clown and informant Nugart Neville Lamont aka The Noogman aka Noogie, played by Charlie Barnett. Sure, the Noogman can soon become a bit of a pain, but he does have a certain value, not only in the entertainment department, but because he does bring with him a few smiles, specially in times where that is needed. With the music, I thought it was interesting to hear Jan Hammer and trying to bring in a bit of synth-reggae sound, which indeed came rather close to that of The Police and their Spirits in the Material World: Also, it is impossible to not take notice of some of the fine female actors in the show, where Gina and Trudy never fails to deliver. I think Trudy might be a little bit more a favorite of mine, and love her sense of comedy and also having lots of attitude. Later on, she did have her own desk sign named: "Big Booty Trudy", a fitting one, since yeah, she did fit right into some of those tight dressed, and wore them with style: All in all, another entertaining episode, maybe not as solid as the first two, but continues on an impressive run of Miam Vice adventures in a row. 8/10
|
|
|
Post by stefancrosscoe on Aug 27, 2023 14:05:58 GMT
Season 1 - Episode 04: Calderone's Return: Part 1 - The Hit List (1984)
"There are eight names on the list, Crockett. The first six are already dead." What was supposed to be yet another dull day of surveillance, soon turns into chaos when one of the main suspects is executed in broad daylight. And things go from bad to worse, when the police find a list of names, where most have been crossed out, and only two remains. One is that of detective Sonny Crockett, and all seems to lead towards the drug lord Calderone.The episode opens with one of the more chilling scenes that I can remember, in which the weapon expert and marksman Jim Zubiena, one who seemed to work frequently with Michael Mann, appears as the ruthless hitman the Argentinian. And yeah, he soon causes total mayhem, when his list of people to wipe out is found, and the police realizes that this guy never miss his target. Another reason to why this episode is so memorable is when Lou Rodriguez (Gregory Sierra) ends up taking a bullet for Crockett, and instead ends up lethally wounded. For Sonny this means that he has to hide his family in a sheltered enviroment, all while some murdering lunatic kills his victims one by one. The scene where Zubiena showcases his deadly talent, is among the all time classic action scenes of the show, and one which I think Michael Mann would try to re-use over in his own films, like Heat (1995) and Collateral (2004). The episode also includes some stunning footage of the Miami harbour and skyline, and specially during the night. Of the musical selection, there is The Pointer Sisters which is used heavily inside a crowded night club, then you have Russ Ballard who dominates with two songs over these Calderone episodes, first off with In the Night, where as Jan Hammer introduces the viewers to a taste of what to come, with an unfinished take on Crockett's Theme: 8,5/10
|
|
|
Post by stefancrosscoe on Aug 27, 2023 14:21:03 GMT
Season 1 - Episode 05: Calderone's Return: Part 2 (1984)
"Everybody's got their weak spots" With the tragic news that their boss Lou Rodriguez died during the failed attempt on taking out Crockett, Sonny and Ricardo decides to take imediate action. Heading out for a little boat ride toward the Bahamas. The mission is to have Crockett disguise himself as the Argentinian hitman, while closing down Calderone. But not everything goes by the book during their tropical adventures, since the local police is as corrupt as they come, and where Tubbs soon falls for a mysterious woman by the name of Angelina.A nice ending to the Calderone's Return saga, even though I prefer the more intense part 1, and felt part 2 were a bit rushed in how it all closed out. The whole romantic part, do take up some time, and sure, there is chemistry between Ricardo and Angelina, and there is some stunning scenes of the island, along with the whole boat ride featuring Russ Ballad and Voices, to the end with tragic love, which will be repated maybe a bit too frequently later on, when Tina Turner and her hit What's Love Got To Do With It closes it all off. Of Jan Hammer's music, there is not much else to say than beautiful with his Angelina or Flashback theme: There is also some comedy thrown in, some a bit too many, such as the ridiculous car chase, where a gang of party poopers are right on the tail of Sonny and Rico, only to never hit with a dozen of bullets being sprayed for a small lifetime, and then having the duo crashing into the sea to escape, all while Crockett makes a cheesy joke about parking the car. If there is one thing I wished, is that Calderone did not get taken out so soon. He was written up as this big drug kingpin, and while his legacy would later haunt the main cast, it felt like a wasted oppurtunity to have a solid nemesis always being not too far off. 8/10
|
|