|
Post by OldAussie on Mar 3, 2018 22:00:05 GMT
Comments, recommendations - and non-recommendations - welcome.
|
|
|
Post by OldAussie on Mar 3, 2018 22:09:31 GMT
|
|
|
Post by teleadm on Mar 3, 2018 22:14:57 GMT
Comments, recommendations - and non-recommendations - welcome. Thanks for taking over this task!!!!
|
|
|
Post by wmcclain on Mar 3, 2018 22:15:56 GMT
|
|
|
Post by politicidal on Mar 4, 2018 1:41:43 GMT
The Great Waldo Pepper (1975) 7/10
Tango & Cash (1989) 5/10
Professor Marston and the Wonder Women (2017) 7/10
All Quiet on the Western Front (1930) 6/10
How to Steal a Million (1966) 8/10
The Guest (2014) 7/10
The Mountain Between Us (2017) 5/10
All the King's Men (1949) 8/10
Thank You for Your Service (2017) 3/10
The Dark Tower (2017) 2/10
Blade Runner 2049 (2017) 8/10
|
|
|
Post by mikef6 on Mar 4, 2018 1:51:19 GMT
The Last Posse / Alfred L. Werker (1953). The word spreads through town: the posse is returning. They have brought bad news. The men they were chasing, as well as one of their own, have died. The Sheriff is badly, perhaps mortally, wounded and the stolen $100,000 was not recovered. A series of three flashbacks, each with a different narrator, begin to fill in the story thus far. It is the late 19th century and the city of Roswell, New Mexico Territory is celebrating Founders Day with a lot of speechifying from the town’s pillars. All except Sheriff John Frazer (Broderick Crawford) who is, as usual, too drunk to attend. Frazer is well respected in Roswell as the man who, years earlier, had cleaned up the town and chased off or killed the lawless element. But the violence of those years has turned him into a hopeless and useless alcoholic. When a bar fight breaks out right in front of his face, he has neither the energy or interest to step in to end it. Then a crisis occurs. Rich cattle baron Sampson Drune (Charles Bickford) and his adopted son Jeb (John Derek) are robbed of $100,000 by a poor family who had been chisled by Drune. Drune forms a posse to pursue the robbers but he has to take along a citizens’ committee to insure justice when the robbers are caught. They just assume that their drunken sheriff will not be coming along, but Frazer decides to follow them even though it is tough for him physically. Crawford, just a couple of years past his Best Actor Oscar for 1949, does a great job as Frazer regains his sobriety, his pride, and his abilities as a law enforcement officer in the harsh New Mexico desert (really southern California and western Arizona). After the flashbacks, an inquest his held in town during which Sheriff Frazer’s courage inspires an unexpected confession. A superior western film. Broderick Crawford and John Derek in The Last Posse Blackjack Ketchum, Desperado / Earl Bellamy (1956). The title makes this sound almost like a western comedy, but it isn’t. It is a most competent and tight western adventure based on a novel by the legendary author Louis L'Amour who left behind over 100 works when he died in 1988. L’Amour is the creator of the Sacketts and of Hopalong Cassidy. BK, D is the old story of the gunslinger who just wants to hang up his guns and settle down with his lady on their own cattle ranch. But Tom Ketchum (Howard Duff) has his past catch up with him in the form of Jared Tetlow (Victor Jory) whose brother, a bar room bully, had been shot by Ketchum while protecting a friend. Tetlow is a big cattle baron who plans to take over the valley no matter who gets hurt. Standing in his way is Ketchum’s own ranch and that of Nita Riordan (Margaret Field), his intended. Duff is quiet and laid back, trying to use his intelligence rather than his guns to defeat Tetlow. Victor Jory makes a formidable malevolent presence. This 70-minute black & white feature was produced by Sam Katzman, he of the Katzman Kwicky. For Trivia fans: Margaret Field is the mother of two-time Oscar winner Sally Field. After divorcing Sally’s father, she married cowboy actor and stuntman Jock Mahony, which is why in her last three movies, including Blackjack Ketchum, she is billed as Maggie Mahony. Howard Duff and Margaret Field in a clinch at the end of Blackjack Ketchum. Also with Angela Stevens, Robert Roark, and David Orrick McDearmon Frygtelig Lykkelig (Terribly Happy) / Henrik Ruben Genz (2008). Danish film which was Denmark’s submission to the Academy Awards' Best Foreign Language Film Award for 2010. Robert, a Copenhagen cop coming off some kind of experience that has left him emotionally fraught, has been assigned as the only law enforcement in a remote Jutland town. He is quickly informed by the populace how the “old marshal” did things and he is constantly reminded that “We do things our own way.” One of the ways is to make people who are problems disappear into the bog that surrounds the town. Slowly, he begins to conform to the town’s ways until a battered wife who is an outsider like Robert, tries to get him to take her away. Watching the plot unfold is kind of a frustrating experience as Robert is such a passive character. The trouble that comes to him is a result of his withdrawn, easily malleable personality – very unlike that of a cop. The movie seems way too long for the story it tells. I’m glad it wasn’t nominated that year. …Continuing a watch straight through the 10 seasons of Doctor Who: New Series in anticipation of next year’s introduction of the 13th Doctor. S.8, Ep. 9 “Flatline” October 18, 2014. The Doctor saves the Earth from some two-dimentional creatures who want to make humans like themselves. S. 8, Ep. 10 “In The Forest Of The Night” October 25, 2014. Overnight the Earth is covered with a thick forest. The Doctor can discover no reason for the sudden growth. All the trees register as normal trees. Meanwhile, a huge solar storm threatens life on Earth. S. 8, Ep. 10 and Ep. 11 “Dark Water” and “Death In Heaven” November 1 & 8, 2014. This two part story ends the 8th season. In these creepy adventures, the Cybermen are back and the Master has got them. The Doctor and Clara visit the afterlife, a.k.a. The Promised Land and The Netherworld – which harbors a terrible secret: the minds of the recent dead have been uploaded into a data cloud and used to animate new Cybermen. Michelle Gomez joins the cast as Missy, the lastest incarnation of the Master. S. 9 Christmas Special “Last Christmas” December 25, 2014. The Christmas Specials have never been very special to me but this is an exception. Beautifully plotted with many twists and turns, wonderfully acted by the entire cast, and continually surprising. Guest starring Nick Frost as……..wait for it……..Santa Claus!. As The Doctor says, “Do you know what the big problem is in telling fantasy and reality apart? They’re both ridiculous!” S. 9, Ep. 1 & 2 “The Magician’s Apprentice” and "The Witch's Familiar" September 19 & 26, 2015. I always thought that Peter Capaldi never really imprinted his own persona on The Doctor during his first season. He never seemed comfortable channeling the First Doctor as a grumpy hero who loves humanity but hates people. But he enters the Season Of Two-Parters with a new attitude that fits him like the proverbial glove. I like to call it “The Aging Rock Star.” Capaldi is great for all of this season and the next, ending his tenure. The first two-parter brings back The Doctor’s most fun villains: Missy, the Daleks, and the Dalek’s creator, Davros. S. 9, Ep. 3 & 4 “Under The Lake” and Before the Flood" October 3 & 10, 2015. Did you ever wonder what the Bootstrap Paradox is? The Doctor explains it all to you in the intro to the second part. A research team in an underwater lab finds an alien spaceship on the lake floor. Inside the craft is a strange figure who appears to be a ghost. When one of the crew is killed, he also becomes a “ghost.” The arrival of The Doctor and Clara causes even more confusion. Deaf actress Sophie Stone guest stars as the team’s commander. Very worthwhile. S. 9. Ep. 5 & 6 “The Girl Who Died” and “The Woman Who Lived” October 17 & 24, 2015. Maisie Williams (Game Of Thrones) guest stars as Ashildr a Viking teen who The Doctor and Clara meet after being captured by her clan in 10th century Nova Scotia. In the second part, The Doctor meets Ashildr again in 16th century England. This outstanding season continuous with another winner. S. 9, Ep. 7 & 8 “The Zygon Invasion” and “The Zygon Inversion” October 31 & November 7, 2015. At the end of the 50th Anniversary Special, a treaty was signed by Earth and the shape shifting race, the Zygons which allowed the Zygons to live on Earth in the form of humans. Now, a radical splinter group of Zygons want to control the planet and wipe out humanity. Good performances by Jenna Coleman as captive Clara and the rebel leader, her Zygon double, as well as by Ingrid Oliver as Osgood and Jemma Redgrave as Kate Stewart. S. 9, Ep. 9 “Sleep No More” November 14, 2015. An odd episode that seems to be the first half of a two-parter (the final scenes are more like a cliffhanger than a resolution), but the ending never comes. Still, the story is a good one with some excellent science-fiction writing and storytelling. S. 9, Ep. 10, 11, & 12 “Face The Raven” and “Heaven Sent” and “Hell Bent” November 21, 28, December 5, 2015. Wrapping up Season 9 is an epic three-parter that has to be watched twice – at least! – to catch all the connections and implications. A truly impressive and ambitious tale. It begins with finding a pan-dimensional street in London that harbors galactic criminals, Maisie Williams as Ashildr returns as the head person of the street, and ends on lost Gallifray with The Doctor confronting the leaders of his own race – The Time Lords.
|
|
|
Post by Lebowskidoo 🦞 on Mar 4, 2018 11:18:14 GMT
|
|
|
Post by claudius on Mar 4, 2018 14:51:41 GMT
DARK SHADOWS (1968) Episodes 436-439. 50th Anniversary. Victoria is condemned to be executed, while Barnabas turns his vengeance of her persecutor Reverend Trask. I had to watch two episodes on February 28 because the second aired on a leap day-February 29. MPI Video.
NARUTO SHIPPUDEN (2010) "The Man Who Died Twice" Viz Media DVD.
ER (1998) "Exodus" 20th Anniversary. Warner DVD.
THE REAL FRANKENSTEIN: THE UNTOLD STORY (1995) Well, this is the only Frankenstein-related subject I watched this month in honor of the bicentennial. Hosted by David Frost on location at the real Castle Frankenstein, the special examines the sources (the real 'Frankenstein' the Alchemist Dippel) and the real-life scientific issues that relate to Mary Shelley's novel. VHS recording of an ABC broadcast in Winter 1995.
THE CROWD (1928) 90th Anniversary viewing of King Vidor's classic. Viewed on the Anniversary on a MGM/UA VHS of a Thames Silent with Carl Davis score. I also watched a little of the HOLLYWOOD episode "The Man With the Megaphone" which had a mini-making of the film with interviews by Vidor and Eleanor Boardman (It's interesting how much Carl Davis was able to repeat his music scenes from the series for the full-fledged films, BEN-HUR: A TALE OF THE CHRIST, FLESH AND THE DEVIL, etc.).
DRAGON BALL SUPER (2016-1017) I pretty much viewed episodes 68-87, mainly FF much of it, except when the character Son Gohan appeared. The episodes I watched fully were "Goku Vs. Arale! The Earth Ends in a Wacky Battle!" (which guest-starred characters from author Akira Toriyama's DR. SLUMP, who already appeared in the DRAGON BALL series, although the time distance between those two appearances was 30 years with the SLUMP characters barely aged), "Gohan's Misfortune! An Unexpected Great Saiya-Man Movie?", "For Those He Loves! The Unbeatable Great Saiya-Man!!, "Defeat Those Terrifying Enemies! Kuririn's Fighting Spirit Returns!!", "Awaken Your Sleeping Battle-Spirit! Son Gohan's Fight!", "Son Goku the Recruiter- Invites Kuririn and No. 18." Import DVD.
THE MECHANICAL MONSTERS (1941) A short of the Fleischer Animated Superman shorts. Warner DVD.
OSCAR'S GREATEST MOMENTS 1970-1991 (1992) Hosted by Karl Malden, this special clips on those years of the Academy Awards Ceremonies in those entitled years. Full of openings, speeches (the good- Dustin Hoffman praising actordom- and the bad- Vanessa Redgrave's Zionist Hoodlum speech), musical numbers (Strange that Madonna's "Sooner or Later" is fully showcased but Issac Hayes' "Shaft" number is shortened) , mishaps (David Niven and the streaker), and those clothes! I get a little choked up when the finale portrays clips from THE GOLD RUSH, THE CIRCUS, and CITY LIGHTS, and then Charles Chaplin's 1973 special oscar appearance. Sony VHS.
DRAGON BALL (1987) "The Terror of Piccolo Daimou!" 30th Anniversary. Funimation DVD.
|
|
|
Post by morrisondylanfan on Mar 5, 2018 1:52:34 GMT
Hi Aussie,thanks for hosting the thread,and along with seeing British satirical comedian Jonathon Pie do an excellent stand-up show,I've done notes on the following viewings: 60's movies: Murder Unincorporated (1965) 10 Ending their set on a high,Arrow give their final Nikkatsu pick a spotless transfer, with the picture quality allowing for the fast-pace action to be clearly seen,and the soundtrack to be pitch-perfect. Becoming the first film by him to come out in the West, (in any format!) the glimpse here makes the lack of anything from director Hiroshi Noguchi a tragedy. Backed by a studio trying to bring people to the cinema after the recent Olympics had led to a rise in TV sets, Noguchi & cinematographer Kazue Nagatsuka strike a winning combo of off the wall “Diamond Guys” Action with lightning-fast zany Slap-Stick Comedy. Brilliantly using wacky sound effects to give the off the wall antics extra zing, Noguchi gives each would-be assassin hilariously quirky appearances,from the mini-me Al Capone,to the Femme Fatale cocktail waitress. Loading the Diamond Guys of Nikkatsu with comedic bullets,Noguchi introduces each hitman with very funny chances to show off their unique skills. Making it clear early on who Joe of Spades (played by a wonderfully dead-pan Jô Shishido) is, Noguchi keep the action thrills rolling with silk,ultra-stylised whip-pans/fade ins/outs and overlapping shots that keep track on how close each him man is to sniffing out Joe. Sending everyone off in search of Joe,the screenplay by Kobako Hanato and Akira Saiga spectacularly sends up the image of the genre by putting all of the tough guys in clueless buddy Comedy mode,who bounce along with the quick-draw punch-lines from one shoot-out to the next,in the hope of getting the Joe of Spades in their hands. Fahrenheit 451 (1966) 7 Stating that he would have quit the movie if he had not been making it, (and spending all the time off-set in his hotel room,due to only being able to speak broken English!)co-writer/(with Jean-Louis Richard/David Rudkin and Helen Scott) director François Truffaut impressively overcomes the language barrier to bring his unique stylisation to Hollywood, bound by Truffaut & cinematographer Nicolas Roeg following Montag in extended French New Wave "walk & talk" tracking shots. Using colour for the first time, Truffaut sets the screen alight with kitsch burning reds, (backed by the flames of Bernard Herrmann's excellent score)which gives the grip of fascism an unsettling blending in with the "perfect" looking town,filled with flat screen TVs and interactive programs to keep the public distracted from the dissolving images of burning books. Firmly holding the view in his youth that screen adaptations were a major problem of French cinema, (or as he called it "Cinema de Papa")and that Sci-Fi movies are "Uninteresting and arbitrary" the six years Truffaut spent trying to bring Ray Bradbury's book to the screen led to themes in films made during this phase entering the movie. Openly saying during the haunting ending that the readers are rebels,the writers make Montag(played by a constantly unsettled,and visibly stiff Oskar Werner) fight against the eerily normalised/mundane image of black shirt-wearing Fascists one charged by his hidden collection of books undermining those in authority,and Montag's desire to keep his affair secret coming from Truffaut tearing up the cosy middle class marriage image in The Soft Skin,as Montag battles to keep books from burning at Fahrenheit 451. Other flicks: L'enfant sauvage (1970)10 Taking a leading role in one of his own creations for the first time,co-writer/(with Jean Gruault) director François Truffaut gives an enthralling performance as Itard. Reflecting his film making ambition to make movies in a "new" method, Truffaut the teaching of Victor with a compassionate heart,as Truffaut avoids what could have been awkward silences as the only person who can speak,with a relaxed,open manner to using non-traditional teaching methods to help Victor express himself. Not giving himself a saintly image, Truffaut voices Itard's doubts and regrets when his teaching ideas fail with a well performed narration. Barely saying a word, Jean-Pierre Cargol gives an incredible performance as Victor.Looking like he has spent his whole life sleeping in a hedge, Cargol digs into the wild child of Victor with abrasive body language that screams out at Itard's attempts to tame him. Spending most of the title onscreen with Truffaut, Cargol perfectly matches all that the director brings to the relationship,with Cargol calming Victor's frantic outbursts with a measured respect,and love for Itard. Turning Jean Itard's 17th century report into a film (!) the screenplay by Truffaut & Gruault superbly use Victor's wildness mind set to build upon Truffaut's major auteur theme of the outsider,via Victor being seen as nothing but an outside (savage), and Itard's belief that Victor can be educated, causing him to be seen as an outsider by the teaching profession. Toning down the New Wave fluidity, Truffaut and cinematographer Néstor Almendros paint Truffaut's lone historical work in beautifully crisp black and white,lit by gradual,Silent movie-style fade outs. Allowing for the relationship to be fully explored,Almendros and Truffaut go for emotionally gripping long takes which allow plenty of room for Itard's teachings to breath,and for the wild child to escape the wilderness. I,Tonya (2017) 7 Completing her "breaking the 4th wall" biopic trilogy, (after The Wolf of Wall Street and The Big Short)Margot Robbie gives an excellent performance as Tonya. Laying bare the abusive treatment Harding got from her mum,Robbie draws the viewer in when talking to camera,by giving the off the cuff comments a wicked, matter of fact streak. Caked in dirt and grime from Harding's Rust Belt roots,Robbie (who does a very good fake accent) sweeps pass any shots glamour by covering Harding's face in pure joy when on the ice rink,which fades to gloom the moment she steps off. Insulting her daughter every time she is on the side lines, Allison Janney gives a great performance as LaVona,with Janney throwing LaVona's put downs with razor-sharp aim, and continuing to light cigs to LaVona's dismissive image of Tonya. Skating along real and CGI skating, director Craig Gillespie & cinematographer Nicolas Karakatsanis give Tonya's time on the ice rinks an action set-piece thrill,thanks to the long shots showing each move being performed,being complimented by close-ups on the rush Tonya gets from a successful performance. Breaking the thin ice of her private life, Gillespire twirls round Tonya with stylish whip-pans catching the jet-black Comedy asides in Steve(n) Rogers script from Tonya and a growing group of hanger-ons who will eventually force Tonya off the rink.
|
|
|
Post by Matthew the Swordsman on Mar 5, 2018 4:27:25 GMT
During the week I watched silent short films, 1950s short films, 1980s music videos, and a 1950s talk show called "Longines Chronoscope".
|
|
|
Post by jeffersoncody on Mar 5, 2018 5:55:05 GMT
|
|
|
Post by MrFurious on Mar 5, 2018 14:59:40 GMT
This Is Spinal Tap(84) Zero Dark Thirty(12) Better the 2nd time round. Wings(27) Last minute find one night on tv and it blew me away, well deserving of winning the first Best Picture Oscar. Fast & Furious 8(17) Dumb as a bag of hammers and I loved it.
|
|
|
Post by teleadm on Mar 5, 2018 19:09:26 GMT
|
|