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Post by FridayOnElmStreet on Jul 8, 2021 10:25:31 GMT
5/10 - Silly, dumb and overblown but actually gets pretty exciting in the last 20 minutes. I feel those words, sums up most of the films I have seen of Vin Diesel through the years. Sadly, very few of them have been ever close of being all that exciting, or at least in a way that means I want to keep them in my movie collection, or end up with a better rating, than the usual 4/10 or 5/10s. However, the guy has got it made, not sure how many Fast and Furious films they will keep making, but somehow the xXx franchise, I believe stopped at 2 or 3 films? And was it only two times, that Vin appeared in the leading part? Yeah it was Ice Cube in part 2. Ice appears in this film as well towards the end.
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Post by stefancrosscoe on Jul 13, 2021 11:34:17 GMT
White Fire (1984)★★½/★★★★★ Wow.. Yep, wow. "White Fire" can be class as one of those films you got to see to believe. Talking to you action fans... of low-end schlock and exploitation. Well, also if you got a thing for Robert Ginty’s sandy mane and manly stache. Also not to forget Fred "Hammer" Williamson’s chest hair. Oh, there’s a lot hair on show! And some minor chainsaw carnage Too. A little too quick for a my liking, but oh well. So don’t hesitate to check out this multinational production. This 80s film (which looks like a 70s relic) is just so outrageous, but more in a reckless and incomprehensible mould. Just figuring out what's going it just as bemusing as trying to understand the unusually repressed relationship between brother (Ginty) and sister (Belinda Mayne). It is strange, and very taboo! You get numerous touchy-feely encounters and awkward innuendo dialogues, which will have you returning back to scenes just to make sure you heard it right the first time. Like the scene of Ginty looking at his sister in the nude replying; "A pity you're my sister", as she tries to cover up only her breasts in spite of being entirely in the nude. Nonetheless the entire script is clumsy. Acting is stiff (Mirella Banti gets top prize followed by Gordon Mitchell) and dubbing is terrible. But the incest angle which keeps creeping in gives it a bizarre edge. After a pointless beginning; I guess to show why this brother and sister relationship is so close? Suddenly its 20 years later, where the two siblings are adventurous diamond thieves. Ingrid is working in a desert diamond mind smuggling the goods with the help of her brother Beau and the base's security commander. When they come across the white diamond, they see it as their last hurrah. But it won't be that easy, as there are other people who are keen on getting their hands on the diamond too. I find Ginty rather agreeable in the lead role, where he has the same dopey expression you're never too sure what he is actually thinking. He goes about it all, including his macho beat-ups, virtually in the same manner. Well, nearly everything. While Mayne was somewhat wooden, but you can see why she got the tick of approval. Then there's bad-ass Williamson, who really doesn't show up until an hour in with his pals (and this gang really do like to show off their chest hair). His energy really does get things moving. Like his first appearance ("I detest psychical violence"). Too bad about the cheery ending though, as I was hoping to see Ginty and Williamson square off. As for the title object, it actually takes awhile before we come face-to-face with the legendary white fire diamond, which burns a hole into whoever touches it. Williamson's smooth talking, trouble-shooting character has nothing to do with this side of the story, but more so with film's midway twist that only seems to make the brother-sister relationship even creepier. Watch how Ginty dramatically fights his desires for his sister(!?).... it cuts him deep. The story had a lot going on with soapy plot development and characters coming and going. Nothing complex, but so random and patchwork that it's hard to make sense of it. One thing though, the siblings sure knew how to find trouble. When it came to the action, be it martial arts (sound FX included) to crates falling out of skies and full-on explosions, it’s just as clunky, low-grade as the budget, yet it remained plentiful and frenetic (outside the slowest ever vehicle chase caught on film) with few grisly, and torturous details. Mostly coming off tacky, but there’s one scene which will have men squirming! Add to it a tripped-out soundtrack, which I wouldn’t mind owning and you get an amazing title song that finds it way on a loop. And what a better way to end my thoughts on this rough-around-the-edges, and feverish b-grade action romp with Ginty’s choice of dialogue. ”Remember take good care of my sister". A few years too late, but just had to bump your fine thread/post, of this absolute crazy and very "special" and sleazy cheesefest, that surely turned out to be exactly what White Fire were all about, and more. Having just recently picked up the impressive looking Arrow Blu-ray release, and yeah, it was probably a bit too pricy, but what the hell? These kind of movies don't come around to often, that's for sure. Yeah, it really is one of those, "Ya gotta see it, too believe it" kind of features, which I guess could only be made during a certain time and place, and surely would stand no chance of being delivered these days. Instead of writing up a review, as I believe most of what I thought of, when having seen it, you have put down so damn well, and I agree on pretty much every word of it. I guess I kind of hoped it would lie in the same range of so-bad-it's-awesome type of terrible movie making, like Samurai Cop, Miami Connection of Hard Ticket to Hawaii, and while there might be some room for a potential upgrade in the rating scale, with further reviews, somewhere in the future, I still felt that White Fire kind of dragged on, in certain parts, and never quite got to the same tone or level of hilarious scenes and moments, as frequently but again, I have feel it might at least be worthy to re-watch when I am in the right "mood" for one of these films. Oh yeah, damn, what hairy piece of film this turned out to be. I mean, it seemed like 99 percent of the turkish population, had some kind of ridiculous porn-stache facial hair going on. Speaking of Fred Williamson, I only wished he would arrive much earlier, as he sure felt kind of underused in this one, still, I got a few laughs out of seeing him just stand around in random location, punching air, while making a few neat and cool looking martial arts moves, but yeah, he should surely gotten way more time on the screen, as he is such a great scene-stealer, but I guess he was maybe only around for a couple of days, or less, and that was pretty much all the director got to work with. The brother/sister relationship was sure a weird and creepy one, but somehow it actually worked, if one could call it that. I am kind of glad it did come with a bit of a dramatic change, as having only the trailer and some reviews to go on, I did thought the director would at one time, go all the way, and thankfully he did not, but still damn, it was a close one. The ridiculous use of the rock ballad White Fire, and the other one (forgot its name) which got played over, and over, specially in some where weird places and times, throughout the entire film, and I guess it had to do with low budget, or that they just did not have enough time, to fill in with other songs, so they just kept on dishing out, these two hilarious cheesy cuts. Also, the dubbing and sound effects were quite something else, I mean they really turned the sound effects into a whole other level of Spinal Tap "these go to eleven!" kind of volume, and just added on the b-movie charm, if one can call it that. I do remember well, the clip you posted a few years back. Something about it, just stood out, and in a very memorable and funny manner. Having seen the film, I guess it is kind of the icing on the cake scene, when coming to the action stuff, just so much crazy stuff goes on, and then having Ginty, just killing a bunch of hilarious looking baddies with a chainsaw, jumping on a racing boat, which also comes with a half naked bimbo, taking a sun bath, and Ginty says something like: "What is a nice girl like you, doing in a place like this?"and then immediately takes off, like it was the most natural thing in the world, of course with the theme song, White Fire being played in the background. Somehow, when I first saw that scene, I thought it was the final end of the film, but still a great piece of 80s sleaze. When it comes to how I rated it, I guess seeing your two and a half star or 5/10 from Letterboxd, I ended up with almost the exact same feeling. But, I do feel it has the potential of maybe going upwards one day, but for now, I end up with a: 5,5/10There are surely scenes of pure b-movie magic in this one, and I will be holding onto the Blu-ray, no question about that, but I guess I kind of went in, hoping for something a bit more, and time will show if it can match some of the classic campy and hilarious cult bad movies of that era.
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Post by stefancrosscoe on Jul 13, 2021 12:49:25 GMT
Droid Gunner aka Cyber Zone (1995) by Fred Olen Ray Another "classic" by Fred Olen Ray, and where I guess he wanted to make his very own Blade Runner, but with a budget that would probably last for a few visits at the local McDonalds restaurants, and then maybe some tickets to go see the original classic sci-fi masterpiece, he were attempting to re-create. Anyway, the film contains the usual Olen Ray "special effects", that is tits, tits and more TITS, with a few scenes of the well used b-movie scream qeen Brinke Stevens, and I was kind of surprised that neither of the other typical Olen Ray babes of Michelle Bauer or Linnea Quigley, did not appear along with her. Yet, Stevens shows up, as a stripper, showing off her goods, along with pointy elf ears and vampire daggers. In the lead roles, we meet up with b-movie action star Marc Singer, who gets a surprising helping hand, by the gigantic german Matthias Hues, who usually plays the baddie, but this time around, is on the good side for once. Sadly, Hues do not get too much to work from here, and if he had gotten a bit more, maybe my final rating would have gone up, a bit. Anyway, it is a rather forgettable and silly affair, but I were not expecting huge things in return, and where I rarely go beyond a 3/10 when it comes to the films of Fred Olen Ray, this is one of the very few times, I do so. I enjoyed the atmosphere and settings, the chemistry between Singer and Hues, and yeah, the pace is also rather nicely moving along, so it never gets to become boring or dull, but surely one of those that I have seen, and then just moves on and not looking back. 4/10
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Post by stefancrosscoe on Jul 13, 2021 13:02:42 GMT
The Philadelphia Experiment (1984) by Stewart Raffill Almost forgot to add this one, which I have seen, some years ago. Anyway, I did re-watch the better made, and kind of similar in timetravel 80s films genre, The Final Countdown (1980), but instead of having a huge warship and its crew, going back in time, we have a few people from a groundbreaking experiment during World War II, arriving the 80s, and yeah, the potential for a good film and story, surely lied somewhere, but I sadly did not find it, as this was quite a boring and very dull film, more a drama/sci-fi than action/adventure, which the scandinavian Blu-ray release tried to sell it as. On the frontcover, some of the reviews, even tried to compare it with RoboCop (1987), which is as far away as they could come, expect that both stars Nancy Allen, but she sadly had not much chemistry going with Michael Pare, and yeah, another disappointing re-watch, and I am not sure if I will keep this one in my collection. Very little here interested me, and the pace just drags on, and I was surprised at how huge the budget for this film was, I mean where the hell did the over 20 million dollars go? The Terminator, also a 1984 release with a similar theme, but with a budget of only 5-6 million dollars, looks like a 100 million dollar movie, compared to the ridiculous cheesy special effects in The Philadelphia Exerperiment, and it seems at times, or feels, more like right out of a tv movie or pilot episode, of a tv show from the 70s, not the 80s. I kind of wished the director and script part, had been done by John Carpenter, at least the directing, as this film most likely had lots of potential, but it feels very "undercooked", and yeah, no change in how I feel or rate it, this time either: 5/10Also, for a "fun" drinking game, one should have no problems spotting all the Coca-Cola references, showing up throughout the film, as it at times feels more like one huge long Cola commercial, but I guess one should not be surprised, as the same director, would later on make the "classic" sci-fi film that turned out to be Mac and Me (1987), which I believe was strongly backed up, by McDonalds, and even the alien itself, was named after Ronald McDonald.
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Post by stefancrosscoe on Jul 28, 2021 13:43:07 GMT
I am a few weeks behind, on the reviews for some of the action and adventure films that I have been seeing this summer, so I will try to bring forward a few of those, here and there: The Annihilators (1985) by Charles E. Sellier Jr Well, the above poster could not be more misleading than what you get in the end. Still, gotta hand it to those creative forces behind these kind of pumped up fantasy posters, but yeah, what a dull outcome. Sure, it is more of the usual lazy and tame vigilante knock-off, cheap and not very impressive, yet when I found the Arrow Video release on Blu-ray, a few weeks back. I just had to bring it home. Sadly for my part, this was nothing to be too excited about. Here you meet up with gang of Vietnam veterans, returning home, only to find their pal injured for life, by some gang of local scum, in a former friendly neighbourhood, now run by human waste. The solution (as always with these films) is of course to fight back with anything you can get your hands on, as the police is of course useless. The whole "plot", is more or less a dirt cheap Death Wish 3 meets up with The A-Team, and even at the beginning of the intro, you have a very familiar gun-sounds, used heavily, as well as a colorful team of 4 people, led by an older Christopher Stone, who in certain later scenes, almost looked very much like Charles Bronson as Paul Kersey, but the "similarities" kind of stop there. Death Wish 3 succeeded because it was a damn comedy riot, where as The Annihilators is just most of the time, boring as hell. And if not for the always reliable Paul Koslo, as the absolute creep of a gangleader, I would surely handed out a much lower rating. All in all, a pretty damn forgettable movie, that looked like it could be fun, but yeah, not my kind of fun. 4/10
Barb Wire (1996) by David Hogan "Don't call me babe!"
Back in the mid 90s, I remember every kid (boys that is) wanted to see this film, but it never went that way, as I guess my mum had surely something to say about that. Still, I got a hold of a comic, which included a huge movie poster of Pamela, and years later on, I "finally" got to see it, and realized early on, that I had not exactly missed out on a "classic". Sure, the mid of 90s, was the heyday of Pamela Anderson (her under the name of Lee at the end), as both a tv-star, poster babe and popular trademark, and where I guess it was thought of, as the right time, to head forward by giving her a shot of starring in her first leading role (not including her probably way more infamous homevideo, along with her then husband, Tommy). Anyway, around the same time, there had been quite a few action and superhero based movies, which included some bad ass and fine looking females, and where titles like Black Scorpion (1995), Tank Girl (1995) and Vampirella (1996) all came out, and yeah, why not let Pamela try it out, as a tough bounty hunter, dressed up as a stripper, that should be more than enough to keep the audiences happy, right? Well, turned out that it did not work too well. However, I have a feeling it did hit off better during the rental video market, as I guess certain uncut or extended parts, was later on included on VHS. But speaking of the movie itself, Pamela showcases why she just did not have it in her, to break through, beside the looks and all the media attention, as she just does not have the kind of charm or presence to her, that a leading actress should have in that kind of a role (or so I believe). Sure, she looks quite intense, shows of her two talents, and delivers some pretty dull one-liners, here and there. But compared to something like Black Scorpion, which managed to be fun, sexy and exciting, Barb Wire is just not that impressive, something too "stiff" about the delivery and very weak plot/characters. Anyway, there is a whole buckload of familiar faces showing up here, and I quite enjoyed the post-apocalyptic night club style it got going, as well as Steven Railsback, as the baddie. However, as mentioned earlier, the movie itself, gets dragged on, and never gets to a certain entertainment level, where I can just sit back, and enjoy the silly and campy cheese. It did not work too well either, that I wasted almost 10 minutes, on the extended (from the DVD menu) opening shot, of Pamela hanging upside down, showing of her goods, while some guy is splashing a whole lot of water onto her, and yeah, that is pretty much it. But I guess that was more than enough to give the fans their fair share of fun back then, and if one only went in, for some nasty shots of the main star, but did not wanna waste their time on the film, then I guess it worked like magic. Well, Pamela would hit off better in the tv business once more, where I believe she had the leading part in Striperella, which was a adult themed animated show, that went on late at night, during the late 90s or early 00s, on MTV. However, I guess the chances of becoming a big movie star, kind of went out with this rather poor attempt. 4,5/10
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mgmarshall
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@mgmarshall
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Post by mgmarshall on Jul 28, 2021 13:54:46 GMT
Crouching Tiger, Hidden DragonThis is a masterwork, one of the greatest achievements in martial arts filmmaking ever and for my money, the greatest wuxia ever made. It's visually enthralling (and a very clear influence on later works like the Kill Bill movies) and contains quite simply some of the best stunt work, fight choreography, and wire work ever committed to film.
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Post by stefancrosscoe on Jul 29, 2021 8:28:17 GMT
Crouching Tiger, Hidden DragonThis is a masterwork, one of the greatest achievements in martial arts filmmaking ever and for my money, the greatest wuxia ever made. It's visually enthralling (and a very clear influence on later works like the Kill Bill movies) and contains quite simply some of the best stunt work, fight choreography, and wire work ever committed to film. Beautiful movie, and yeah, the wire work, just could not resist posting this classic MadTV clip:
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Post by James on Jul 29, 2021 11:08:56 GMT
Air Force One (1997) - 8/10
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Post by sostie on Jul 29, 2021 22:50:27 GMT
Fast & Furious 9
Preposterous, awful dialogue, repetitive, terrible soundtrack, laughable but not funny, unexciting, non-sensical....but worst of all, just really really dull.
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Post by lostinlimbo on Aug 5, 2021 0:33:51 GMT
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mgmarshall
Junior Member
@mgmarshall
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Post by mgmarshall on Aug 5, 2021 14:09:03 GMT
Kill Bill Vol. 1 & Kill Bill Vol. 2Goddamn, do these two movies still hold up. Together, they probably represent the strongest performance of Uma Thurman's career. The first one is very strong 70's kung fu pastiche, from Uma's Game of Death motorcycle suit to the very Lady Snowblood-esque final fight. In addition, you get Michael Parks reprising his role from From Dusk Till Dawn, and his son James reprising his role from From Dusk Till Dawn 2 (and still wearing the same ridiculous, oversized ten gallon hat), Vivica A. Fox being hardassed and intimidating, Lucy Liu being stately and imposing, Uma Thurman mowing down legions of henchmen in what has be one of the greatest action finales ever filmed, and David Carradine being badass without even really appearing onscreen. The second is heavily influenced by Spaghetti Westerns, and is much more ruminative and atmospheric, though it still contains a ton of the same great action choreography. You've got David Carradine giving the performance of his career, a soulful and tragic supporting turn from Michael Madsen, Daryl Hannah being icy and bitchy, a killer snake in a bag of money, Gordon Liu's hilarious and terrifying Kung Fu master, another strong Michael Parks cameo which he absolutely disappears into, and a memorable, emotionally devastating finale. Together, they're an epic, kickass action masterpiece.
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Post by stefancrosscoe on Aug 10, 2021 14:29:10 GMT
Raven (1996) Burt Reynolds goes rogue. Although I find it hard to tell if Reynolds looks bored, or just acting cold-blooded. Raven (Reynolds), the leader of a secret government mercenary team finds out his latest assignment was marked to be his last one. So he seeks revenge against his bosses, and the only surviving member (Matt Battaglia) of his team who wanted out of Raven’s plans. Shady deals, corruption, betrayals, heavy fire power and big explosions play out in this diverting b-action film. Also diverting was the presence of support lead Krista Allen. That is one explosive looking movie poster. But I guess that was an ongoing trend during the mid 90s and far into the early 00s. Never seen or heard of the film, but I might get there some day, might have to revisit your review.
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Post by stefancrosscoe on Aug 10, 2021 14:35:31 GMT
Kill Bill Vol. 1 & Kill Bill Vol. 2Goddamn, do these two movies still hold up. Together, they probably represent the strongest performance of Uma Thurman's career. The first one is very strong 70's kung fu pastiche, from Uma's Game of Death motorcycle suit to the very Lady Snowblood-esque final fight. In addition, you get Michael Parks reprising his role from From Dusk Till Dawn, and his son James reprising his role from From Dusk Till Dawn 2 (and still wearing the same ridiculous, oversized ten gallon hat), Vivica A. Fox being hardassed and intimidating, Lucy Liu being stately and imposing, Uma Thurman mowing down legions of henchmen in what has be one of the greatest action finales ever filmed, and David Carradine being badass without even really appearing onscreen. The second is heavily influenced by Spaghetti Westerns, and is much more ruminative and atmospheric, though it still contains a ton of the same great action choreography. You've got David Carradine giving the performance of his career, a soulful and tragic supporting turn from Michael Madsen, Daryl Hannah being icy and bitchy, a killer snake in a bag of money, Gordon Liu's hilarious and terrifying Kung Fu master, another strong Michael Parks cameo which he absolutely disappears into, and a memorable, emotionally devastating finale. Together, they're an epic, kickass action masterpiece. Have not seen either of them, since fall of 2012, but rated them with 8/10 and 7/10, where as the Volume 1 was rated highest. Might change, with a rewatch, and should probably give them a go, both a the the same time, well, after one another. Instead of wating a few days/a week. Not sure if there is anything new or if there ever really was any chance of a third chapter. I remember some stuff about having Chuck Norris, arriving as the vengeful brother to David Carradine, but I guess that is not very likely happening now. Then there was the one, where Vivica A. Fox and her daughter, would appear, trying to hunt down the Bride, for revenge and so on. Anyway, maybe it is for the best, to just let it go, and be thankful for the first two films. Thanks for the reviews by the way. Great stuff, and kind of want me to look them up soon, but I am way behind on my "to watch schedule", not yet even gotten close to catching up with all those slasher films, I had plans for.
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Post by lostinlimbo on Aug 16, 2021 4:35:51 GMT
Raven (1996) Burt Reynolds goes rogue. Although I find it hard to tell if Reynolds looks bored, or just acting cold-blooded. Raven (Reynolds), the leader of a secret government mercenary team finds out his latest assignment was marked to be his last one. So he seeks revenge against his bosses, and the only surviving member (Matt Battaglia) of his team who wanted out of Raven’s plans. Shady deals, corruption, betrayals, heavy fire power and big explosions play out in this diverting b-action film. Also diverting was the presence of support lead Krista Allen. That is one explosive looking movie poster. But I guess that was an ongoing trend during the mid 90s and far into the early 00s. Never seen or heard of the film, but I might get there some day, might have to revisit your review. Oh, you won’t be disappointed with the amount of explosions Would make for a decent double alongside Reynold’s ‘Malone’.
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Post by lostinlimbo on Aug 16, 2021 4:44:12 GMT
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mgmarshall
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Post by mgmarshall on Aug 22, 2021 12:49:34 GMT
Collision CourseCheap, ridiculous crap, but I found myself enjoying it in spots. Leno is absolutely no great shakes as an actor, a comedian, or an action star (and at this point, the very idea that someone once looked at Leno and said "movie star" is just mystifying to me...), but he's fortunately backed up by the excellent and likeable Pat Morita, who is far too good for this movie. And, for what it's worth, the two of them have better chemistry than you might expect going in. It's also got a pretty solid villain in a smarmy, mustachioed Chris Sarandon (whose henchmen include a brutish Randall "Tex" Cobb and a soft-spoken, rocket launcher-toting Tom Noonan.) Plus you've got Ernie Hudson (at least, for like the five minutes of screen time he gets) as Leno's partner. It's got plenty of explosions, barfights, stuntwork, and car crashes. Leno rather satisfyingly gets punched in the chin a lot and Mortia is fighting dirty, biting ankles, and faces down a speeding car with a single karate kick in the finale. There's also some alright commentary on the state of Detroit's auto industry in the late 80's and the anti-Japanese sentiment that it was fostering among the city's populace. It's about as standard and by-the-numbers as an "opposites attract" buddy cop movie can get, but there's worse ways to spend 90 minutes.
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Post by theauxphou on Aug 22, 2021 14:29:53 GMT
Terminator 2, on a streaming service.
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Post by lostinlimbo on Aug 23, 2021 1:26:27 GMT
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Post by stefancrosscoe on Aug 24, 2021 6:58:36 GMT
Would make for a decent double alongside Reynold’s ‘Malone’. Malone sure looks badass, and one of those I try to remind myself of, to give a go, sooner or later.
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Post by stefancrosscoe on Aug 24, 2021 7:06:37 GMT
Low-budget 1980s Italian made post-apocalyptic riff on John Carpenter’s ‘Escape from New York’ formula. Wasn’t big on it the first time I saw it, and still feel the same after this latest viewing. An okay time waster, but rather a sum of parts. Of the three (or more) italian early 80s (The Warriors, The Road Warrior and Escape from New York rip-offs) I have seen and own. My favorite has somehow always been 2019: The Fall of New York. Not sure why, but might have to do with the pace, the characters and all the ridiculous stuff going on. I might need another visit with 1990: Bronx Warriors and The New Barbarians, as I have not seen neither, for many years. However, I did get around to watch the sequel to Bronx Warriors, titled: Escape from the Bronx (1983), and yeah, it was kind of a slow going and rather boring ride. Few of the familiar and hilarious faces and names of the first film, returned, and Trash surely were not going to be enough to keep up the same tone and hilarious style, as he just was never that interesting or funny, beside his Frankenstein walk, probably due to the actor wearing far to skinny/tight jeans, making it look like he constantly had to take a crap, whenever he moved, or maybe avoiding taking a crap, more likely. Anyway, Henry Silva turned up, and big surprise (not), as the sadistic villain. Sadly, the film never quite made too good use of his talent, and yeah, not something I felt worthy to keep hold on, in my small italian post-apocalyptic movie collection. Anyway, for a good and enjoyable evening with some fine italian b-movie cheese, I guess one surely cannot go wrong with the mentioned films (minus Escape from the Bronx). By the way, thanks for your review, makes me kind of want to dig in a bit more of these kind of movies later this fall. Some crazy stuff, those italians cooked up back then.
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